Feng Zikai’s Aesthetic View Of Enlightenment

The aesthetic enlightenment concept is a modern philosophical concept that focuses on the artistic(or aesthetic)ontology,art(or beauty)function,value problems and laws formed in the process of aesthetic communication between Chinese and Western in modern art practice.It originated in the French Enlightenment in the early 18 th century,and formed a certain academic tendency in the German philosopher Schiller and others to form a philosophical thinking.At the beginning of the 20 th century,it was accompanied by Wang Guowei,Cai Yuanpei,members of the Creation Society,etc.,in the West Culture Communication according to the social conditions of modern China.It was intentionally carried out in China and became a modern Chinese "to Salvage china from Subjugation","Foreign things Serve china" and "Transforming Western Civilization into Chinese Civilization" cultural products.This Chinese-style concept of "aesthetic enlightenment" has had a great impact on the understanding of the ontology,function and value of modern Chinese aesthetic education,and has played a fundamental role in the understanding of contemporary art aesthetics and artistic practice in China.Feng Zikai is one of the more active representatives of modern Chinese art aesthetic practice activities.His aesthetic aesthetic view is,in general,the “sense-like” view that emerged from the process of artistic aesthetic knowledge dissemination and aesthetic practice.But it has its inherent systemicity.It is the result of the traditional cultural roots of its own "Confucianism,Buddhism and Taoism",and the multi-integration thinking of "Transforming Western Civilization into Chinese Civilization" in the practice of artistic creation and the practice of art education.Its aesthetic enlightenment mainly includes two aspects: one is its enlightenment concept about aesthetic wisdom,and the other is its enlightenment concept about aesthetic personality.Feng Zikai’s aesthetic enlightenment criticizes the alienation of human beings and affirms the meaning and value of human beings.He advocates the realization of harmony and perfection of human nature,reality and the universe through aesthetics.He advocates the realization of harmony andperfection of human nature,reality and the universe through aesthetics.He participated in the creation of aesthetic modernity in his criticism and reflection on the enlightenment modernity of China.The concept of "aesthetic enlightenment" in his thoughts is instructive to the development direction of contemporary art practice and the connotation of artists shaping aesthetic personality.The structure of the thesis is divided into six parts: the introduction part firstly reviews the aesthetic practice of Feng Zikai’s art,introduces the value of today’s research on Feng Zikai’s aesthetic enlightenment,and then briefly summarizes the connotation of "aesthetic enlightenment".The first chapter combs the development history and theoretical interpretation characteristics of Feng Zikai’s aesthetic enlightenment concept,and reveals the inner logic of Feng Zikai’s "examination of aesthetics" and the cultural characteristics of theoretical writing.The second chapter analyzes the cultural background and sources of the age of Feng Zikai’s aesthetic enlightenment from the macroscopic perspective of sociology.The third chapter summarizes and analyzes the two basic connotations of Feng Zikai’s intellectual enlightenment and the realm of life from the microscopic perspective of the aesthetic education enlightenment.The fourth chapter summarizes the contemporary value of Feng Zikai’s aesthetic enlightenment.The conclusion part summarizes and sublimates the deep meaning of Feng Zikai’s research on aesthetic enlightenment.