Huangshan Image In The Performance Of Modern Chinese Landscape Painting

Confucius said,Knowledgeable people like water,benevolent people like mountain.It tells the origin of the long-lasting Chinese landscape painting.Mr.Huang Binhong said in his "Huangshan Painting Court" : Nature is inseparable from everything,and everything cannot be separated from nature.Finally,tell us that art must come from life.The development and prosperity of Chinese landscape painting is inseparable from the natural landscape itself.Based on this,This article takes Anhui Huangshan as an example.Explore the artistic creation ideas and performance practices of Chinese painters around Huangshan.Because today’s Huangshan Mountain is already a national-level scenic spot and has won the title of double heritage of world culture and nature.As a world geological park,Huangshan has been known as the "first mountain in the world" since ancient times.The spectacular nature of Huangshan’s wonders has attracted many literati’s visitors.The creation of Huangshan landscape painting around Huangshan has already formed a distinctive genre and style.For example,the famous "Xin’an Painting School" in the history of Chinese art has always been called "Huizhou School" and can also be collectively referred to as "Huangshan Painting School".But the focus of this article is not limited to the Huangshan School,This article sorts out the historical materials by painting the painters and paintings that have historically depicted Huangshan.It is found that paintings of the same Huangshan in different periods often present different styles and chapter layouts.After further understanding of the characteristics of the stage painters and the rules of painting,this paper believes that When we studied the painters who created Huangshan as the female parent to form a landscape pattern,the landscape paintings of Huangshan and Huangshan showed a positive development.Especially in modern times,after the concept of sketching of Western painting was introduced to China,From the behavior of the painter "Drawing Huangshan" in different periods and the corresponding Huangshan image created,we can even touch the pulse of the contemporary development of Chinese painting to some extent.This article is divided into five chapters to elaborate.The introduction to theopening article outlines the reasons for the selection of the topic,the significance of the research and its current status,followed by a summary of domestic and international research on Huangshan’s painting creation and historical materials research.The second chapter analyzes the development and historical development background of Huangshan painting.The third chapter begins with the Huangshan paintings in the Ming and Qing Dynasties,comparing the modern Huangshan paintings with the ancient Huangshan paintings.The fourth chapter is based on the true nature of Huangshan.The case study is used to deeply study the relationship between Huangshan painting and the pattern evolution of Chinese landscape painting.The analysis of Huangshan,the modern painter Huang Binhong,Liu Haisu,and others,is an example.The style painter paints the image of Huangshan map for comparison between ancient and modern Chinese and foreign.The fifth chapter summarizes the internal and external effects of the changes in Chinese landscape painting from the perspective of my own experience in learning Huangshan painting images to Huangshan sketch creation.