Real Scene Into Painting:The New Style Of Landscape Painting In Modern Times

Chinese landscape painting has been depicting realistic scenery since ancient times.Realistic landscape painting emerged in the Six Dynasties era and developed along with the history of ancient landscape painting.In ancient landscape painting,different styles of landscape painting were formed due to different regional styles and natural phenomena,such as the Ming Dynasty’s Wu Gate painters who focused on depicting the scenery of Suzhou and its surrounding areas,and their expressions were related to ancient topographical maps and chronological travel maps.Realistic landscape painting is the depiction of real scenes,but also includes imaginary scenes or imitations of ancient scenes based on past experience.During the Republican period,the introduction of Western landscape painting into China against the backdrop of Western learning had a great impact on the creation of modern landscape painting,and reformist painters made a revolutionary breakthrough in Chinese landscape painting.The painting world under the influence of the ideology of the New Culture Movement set off a modern art revolution,opening the trumpet for the transformation of ancient pictorial styles to modern ones.Not content with learning from the Western techniques of life drawing and the traditional legacy of "imitation of the ancient",the creative practice of "ancient life drawing" inspired the subject matter and creation of realistic landscape painting,and continued the Chinese landscape painting tradition of It also continued the fine tradition of "mastering creation" in Chinese landscape painting.After the founding of New China,the concepts and methods of Chinese and Western life drawing were further integrated,and representative groups of artists in landscape painting,such as the Beijing-Tianjin region represented by Li Keran,and the Lingnan region represented by Guan Shan Yue and Li Xiongcai,underwent a transformation of Chinese painting.Third,there were innovations in expression techniques and artistic language,such as Li Keran’s "backlighting" and "cumulative ink" methods.Third,the innovation of expression techniques and artistic language,such as Li Keran’s "backlighting" and "cumulative ink" method,and the active exploration of the way of viewing things as scenery,have made new achievements in the spirit and style of modern landscape painting innovation.The concept of modern landscape painting is very different from that of the past,and the painters are looking for an innovative artistic language for landscape painting to promote the reform of contemporary landscape painting.The modern and contemporary transformation of realistic landscape is manifested in urban landscape,which,as an important innovative system of Chinese landscape painting,has achieved a breakthrough in the system of literati painting by creatively depicting the realistic scenes of modern cities on the basis of inheriting traditional landscape painting.As one of the types of Chinese landscape painting,realistic landscape provides us with a perspective and a way of thinking to observe landscape painting.This thesis focuses on the new development of realistic representation in landscape painting since the twentieth century.