A Study Of The Extension Space In The Context Of Contemporary Art

This theory is a study of the possibility in the creation of contemporary art in Chinese thought.In the thought of the Book-yijing in ancient China,the ancient Chinese thought probes into the possibility of time and space and transcends vision,and finds the aesthetic problems of art in existence or absence.Based on the traditional thinking of China to explore the aesthetic relationship with the concept of black and white,we should start with the concept of yin and yang in ancient civilization,to study the meaning of black and white.Fu Xi’s book-yin-yang bagua is the oriental civilization’s origin.Its views of heaven and earth makes mankind begin to study the related problems.Since then,we have begun to probe into the opposite intentions of square circle,heaven and earth,time and space,black and white.Heaven is empty,void,nil,and so on;the earth,is the concept of real,big,and so on.Heaven and earth represent the universe with a wide range of span.From ancient times has been pulling us to think,in this context,asked: who am I? According to Zhuang Zhou’s "Qi material Theory";all things in the world look the same,but not the same in reality.In order to realize the essence of unity of all things,we must understand ourselves firstly to achieve the state of integration of things and self.recognizing all things is the best way to know about ourselves more.This subject in the philosophy and aesthetic principles,completed the art practice of Liu Xuguang’s works as a case study.In the process of research,I realized that expression the concept of art is more important thing than pursuit of artistic expression.In the world of art,purity,nature and ontology are cognition of them.Not mattter ideas or paintings that they bring to us,they are the treasures they leave to the world and to us,and their art will always affect us and the world,affect the future development of art because the essence of seeking beauty is aesthetic.At the same time,it points out that Chinese thought is fundamental in the creation of contemporary art and that it will play an important role,especially in the contemporary aesthetic problems.In 21 th century,a digital world,the ancient Yi-Jing bagua algorithm is still playing a role,despite of the magic legend,it is indeed a scientific existence.In his understanding of nature,Leibniz has his own world and theory.He believes that everything,no matter static or dynamic,is essentially a state of movement.Taking about the understanding of light and shadow,he thinks that bright and dark always appear alternately,which is also his attachment to his theory of thought and his thinking of nature based on his understanding of nature in time.In view of the artist Liu Xuguang’s artistic creation,it is more important to summarize the theoretical context.The essence of the evolution process between the two kinds of contradictions is the evolution process of contradiction movement among energy,time and space and field.Although evolutionary forms may be divided directly or indirectly,in any case,this kind of contradictory movement has always been connected with the space-time generator.From a certain point of view,It is the form of contradictory movement between space-time and space-time.Field,space-time structure,and physical existence including all things in the universe,are actually space-time structures,and the field relationship of art exists.The realization of the quality of the East and the importance of oriental ideas in the contemporary art language is the significance of the discourse mode in the visual art images of the present time.The work of artist Liu Xuguang will bring new ways and possibilities of vision,and it is the methodology of artistic creation.objective aims to expand the existing area of artistic creative thinking and to provide more possibilities for artistic creation.This paper attempts to cut into the world of visual art from the elements of Yan field,through which we can find the breakthrough point and renew the perspective of observation,and change the way of creation into the space of contemporary visual art.