On The Creation Of Musical Image In The Performance Of Weber's Accordion Works "Konzertstück"

"Konzertstück" is an accordion solo work adapted by the famous American accordionist Charles Magnant based on the "Konzertstück,f moll"(op.79)by the famous composer and pianist Weber in the romantic period of Germany.On the basis of retaining the original structure and theme,the music fully utilized the characteristics and advantages of the accordion as a solo instrument.The author using the method of literature research and experience summary,through access to relevant data,the basic situation of the "Konzertstück" are summarized,the concrete analysis of three different kinds of music image,and combined with personal experience,playing the music of the "Konzertstück" playing image-building,summarized the related key points and finishing,from the perspective of structure and style,the use of touch,sound,emotional expression skills such as in-depth analysis of the characters in the scene,the image of music,specific analysis of the depth,length,contact angle,the design and conversion of the transducer,the combination of "point" and "line" in the bellows,the explosion and convergence,the use of body language and breath control in the process of emotional expression,and then come to the conclusion that in order to further enrich and expand the play thinking,correctly grasping of the features of the works of music image,improve the work performance of music image creation ability,to play the works of the players to provide a comprehensive theoretical reference and performance analysis.