The Presentation Of "Daily" In Contemporary Printmaking

In 1917,Duchamp sent the urinal to the independent salon for exhibition and named it "Spring." At this point,everyday things became among the ranks of art,and daily and ideological integration became the core part of post-modern art creation.Pop Art Andy Warhol and Laosenboge put daily objects into art and added daily events to artistic creation.French neo-realist artist Klein's "Measurement of the Human Body" uses "physical(physical)traces" as creative elements;Xu Bing's "Analysis of the World","Tianshu","Earth Book" and "Ghost Wall" introduced printmaking through different forms of "day-to-day" thinking;Under the influence of daily aesthetic,contemporary printmaking has broken the traditional way and idea and formed a new idea and new form of contemporary printmaking.Based on this,this article analyzes the "everyday" problem in contemporary printmaking from the artist's case.This paper discusses the diversity of contemporary printmaking from three parts: the creative theme of "daily",the creative technique of "daily" and the creative concept(aesthetics)of "daily".Therefore,in the first chapter,it introduces the research status of "everyday" in contemporary printmaking;The second chapter discusses the concept of "day-to-day" and related theories;The third part summarizes the creative themes,techniques and concepts of contemporary printmaking through summarizing history and contemporary art creation.The fourth chapter,through my personal artistic creation,introduces the origin of the creation of the work and the transformation of the "everyday" form language in the printmaking language,fromemotional to rational,and the "empathy" in the creation.It is hoped that by understanding the outstanding print artists at home and abroad in their works on the "daily" presentation to carry out valuable research and analysis.