A Study On The Application Of Realism In Animation Of The Poster Design

The animation industry is known as the most promising sunrise industry in the 21 st century.In many developed countries,the animation industry is the pillar industry,such as Japan and Korea,whose output value even exceeds that of the automobile industry.In the field of animation design in modern society,more and more attention has been paid to realism.This paper starts with realism and expressive techniques in animation,and brings four new design ideas to graphic design of poster design.Realism in animation can make the fantasy animation world realistic and realistic through visual intuition.Realism in animation is a creative style opposed to surrealism.And this kind of design trend is mainly expressed by graphics,which contains four main expressive techniques,which contain profound expressive force and many new methods and ideas in graphic design.These realistic expressions in animation can also be applied to poster design,so that poster design also has a realistic and realistic sense.This paper mainly studies and refines four realistic expressive techniques in animation that have not been mentioned before: truthful depiction of exterior details of things,real reproduction of chaos and disorder,application of scientific design logic,emphasis on the relationship between characters and environment,and discusses the four expressive techniques embodied and applied in animation posters,commercial posters,public welfare posters and culture respectively.Class poster,film poster design.Through the realization and application of realism in poster graphic design,the poster graphic design has a stronger real appeal and sense of substitution.Realism in animation can make poster design more close to our real life,so that the audience can see the poster using realism in animation,produce a sense of reality as immersion.It is hoped that through the study of realistic expression in animation,we can depict a poster that is closer to readers and more appealing.