The Study On The Origin Of The Style Of He Shaoji’s Lishu

At the beginning of the Qing Dynasty,because of the gradual decline of the study of the post,the study of the tablet was so bud.With the success of Jinshi’s textual research,the version has become the mainstream of the times.The revival of Lishu has gradually become an important book study phenomenon in this period.The writers who used the creation of Lishu in the Qing Dynasty far surpassed the predecessors,and broke the Qing to some extent.The stagnant situation in the development of the early book world.In the process of the development of Lishu in the middle and late Qing Dynasty,He Shaoji provided his creative ideas for the Lishu innovation in the late Qing Dynasty based on his own unique understanding of Lishu and profound book study practice,which has extraordinary guiding significance.This thesis tries to start from He Shaoji’s Lishu,and analyzes the reasons for the formation of Lishu style through the characteristics of the book style,the study of the book,the works of the world and the objects of taking the law,expounding the book status of He Shaoji’s Lishu in the Qing Dynasty and the late Qing Dynasty.The influence of calligraphy development.This article is divided into six parts:The first part: the background of Lishu in the Qing Dynasty.After the two Han dynasties,Li Shu was able to fully rejuvenate in the Qing Dynasty and became the peak period of the second Lishu in the history of Chinese calligraphy.To sort out the evolution of calligraphy in the Qing Dynasty,and in essence why the formation of Shaoji Lishu style provides historical material support for the book.The second part: He Shaoji’s book study thoughts.He Shaoji is the first bookmaker to comprehensively implement the Tablet School after the theory of the history of Bao and Bao’s,but his attitude towards the classics of the Jin and Tang Dynasties and the Beibei has undoubtedly presented his human struggles with sensitive contradictions.This chapter starts from the book study thoughts and discusses He Shaoji,a traditional scholar,how to carry out the practice of the Lishu between the "Tao System" and the "Personality".The third part: He Shaojji’s style of formation of Lishu style analysis.He Shaoji’s Lishu is mature in his later years and is undoubtedly.If we only talk about the evolution of He’s Lishu in his later years,and do not talk about the accumulation of books in the early period,it is difficult to fully understand the characteristics of Lishu style.This chapter divides He Shaoji’s book history into four stages,and analyzes the formation process of He Shaoji’s Lishu.The fourth part: He Shaoji’s book source and aesthetic performance.In the Qing Dynasty,the good librarians had their own styles in their own styles,and He Shaoji had another way to get prominent in the family,which is not easy.This chapter combines He Shaoji’s book to analyze the method of reading the script,the Tang monument,the Han monument and the performance of the Lishu,and discusses the specific causes of the influence of He Shaoji’s style.The fifth part: The artistic value of He Shaoji’s Lishu.The author combines the development status of calligraphy in the Qing Dynasty with the achievements of books and scholars,and discusses the book status of He Shaoji’s Lishu in the Qing Dynasty and its influence on the development of calligraphy in the late Qing Dynasty.The last part: Conclusion.A macro-level overview of the development of He Shaoji’s book science,summarizing the achievements of He Shaoji’s Lishu from the times,reference and inheritance.