Research On The Narratology Of The Historical Drama The Qin Empire

Historical drama is a type of TV drama that reflects the true history of ancient times.The detailed narrative of historical facts and the detailed portrayal of historical figures reflect the grand texture of history and potentially express the concept of today.As a series of historical dramas that have been successful in recent years,The Qin Empire completely reproduces the development history of Qin Guo from Qin Xiaogong to Qin Zhaoyu.The success of this play is inseparable from the elaboration of the narrative by the creators.Therefore,this thesis takes The Qin Empire series TV series as the main research object,and takes narratology as the core theory,focusing on the two aspects of "telling stories" and "how to tell stories",specific to narrative structure,narrative perspective,narrative time and space.Most of them,explore the skills and techniques of the play in narrative,and the impact of the use of specific narrative methods on the meaning of the TV series and its aesthetic value.In the chapter of narrative structure,it mainly discusses the linear drama structure and circular psychological structure of The Qin Empire.The three films of the series are based on the sequence of development of time,with the cause and effect as the driving force for the development of the event,realistically reproducing the historical process of the Qin State from the Xiqiao small country to the east and the king,showing the "decline" through the "fighting" "To achieve the linear development process of "strong".At the end of the play,the story event reached a certain degree of perfection,but the high-level "emotional circle" formed a shortcoming,reflecting the flawless circle of the beauty of Chinese classical tragedy.In addition,after the development of the dynasty and the fate of the characters from "lost" to "rise",they inevitably move toward "lost",expressing a historical development and the fate of the characters determined and promoted by the unbelievable and inevitable forces.Fatalism thought.In the chapter on narrative perspective,it mainly discusses the narrator who tells the story of The Qin Empire and the big imager who observes and presents this story.The third person outside the story,"He",tells the story of the history of the Qin State to the narrator,and implants the narrator’s values in the seemingly objective narrative,thus affecting the audience’s perception of history.The zero-focus imager can switch the angle of view at will,enter and exit the character’s heart,and facilitate the narrative while facilitating the shaping of the character.The videographer also creates suspense through the limitations of self-focus and enhances the artistry of the TV series.In the chapter on narrative time and space,it mainly discusses the dramatic time combination and symbolic space creation of The Qin Empire.The drama uses the key moments of strong conflict as the starting point of the narrative,and enhances the drama conflict of the TV series through a narration of the narrative rhythm.Under the joint action of the plot and the rhythm,the drama will continue to attract the audience and satisfy the audience to the greatest extent.The experience of watching drama.The cross-combination of different spaces creates a seamless connection between countries separated by thousands of miles,between the battlefield and the court,creating a strong conflict and strengthening the tension of drama.At the same time,along with the space in which the characters exist,it is not an inanimate container,and it can better characterize the character.Through this research,I realized the narrative technique in the TV series The Qin Empire.The use of these narrative techniques makes the historical stories conform to the laws of TV drama art,rich in drama conflicts and full of characters.At the same time,the narrator also conveys the views of today’s people on history through the use of narrative means,and subtly conveys the ideology.