Research On Micro Rhetoric

We generally believe that the 1979 "The Star Art Exhibition" is the beginning of the history of Chinese contemporary art.The re-launch of modernism by the Stars and other groups still has a lasting impact.In this basic framework,in the field of contemporary Chinese figurative painting practice,individual experience has produced a clear developmental vein: personalization,daily realism has replaced collective,powerful realism.The concentrated expression is that contemporary art shifts from lofty political demand to secular society;from prophetic grand narrative to partial micro narrative;personal value replaces collective will;from spiritual culture care to daily skin experience.These self-evolution and continuous derivation from within realism are one of the roots of the development of Chinese contemporary art.In the practice of painting,concrete and trivial personal experience has begun to emerge,and gradually help us to liberate from the rigid emotional inertia,obey our own feelings,and use it as a starting point to re-recognize and explain the world.From this perspective,it can be seen that in the process of deduction of realist narratives,individual experience shows powerful energy in the specific cultural context of Chinese contemporary art.As a person who continues the practice and research of artistic creation,I discuss the inevitability and persistence of individual experience in contemporary Chinese figurative painting by combing from the perspective of daily narrative.I also hope that my own creative practice Inspired.In the theoretical research,this paper will explain the development of individual experience in Chinese contemporary painting and its connotation and significance in the field of contemporary art.In the part of art practice research,the author analyzes the value of individual experience from different practical perspectives through the analysis of typical cases of Chinese contemporary artists.The third part will further explore the growth logic of individual experience in contemporary Chinese figurative painting through my artistic exploration and practice,and finally conclude the article.