An Analysis Of The Hard-edge Painting's Produce And The Form Of Language

Just as that emergence of abstract expressionism in the development of social change after the second world war,the united state in the status of the abstract art,in an equally important position with France,will also bring New York into the top of the art.In the 1950 s,it was an important period of abstract expressionism,and one of them was in this period,the Hard Edge of the Hard-Edge.Some artists appear with sharp,angular planar geometries in the screen,with very little color,and are created with a flat and well-defined edge contour.Abstract expressionism attaches great importance to the three-dimensional sense of the picture and the overall contrast between light and shade,while hard edge painting is the opposite,advocating large area color blocks with a sense of plane and the contrast between color blocks.Mondrian's abstract art had a profound influence on hard edge painting artists.Hard edge painting can be said to be a kind of cold abstraction.Josef Albers pioneered the hard edge style of painting,represented by Barnett Newman,Ad Reinhardt,Frank Stella and others.The name'hard-edged art' was first proposed by j.lanner in 1959,but not until Lawrence Alloway has given it a clear definition.Starting from the historical background of the origin of Hard-edge painting,this paper analyzes and sorts out the social factors,the origin and development of hard-edge painting as well as the characteristics of the style and formal language of this vein,and then studies the artists from the aspects of social change,religious influence and ideology.It also tries to explore the new embodiment and the significance of The Times of hard edge painting in the contemporary context.This paper is divided into five parts.The first chapter is the introduction,which explains the research purpose and significance of this paper,as well as the current research status of this topic at home and abroad.The second chapter first expounds the meaning of "hard-edge painting",and then analyzes the factors of its origin based onthe historical background of Europe and America after world war ii.The third chapter discusses the relationship between mondrian's cold abstract art and hard edge painting,and traces the influence of theosophy on cold abstract art.The fourth chapter is the key chapter of this paper.Starting from the formal language of painting,it is concluded that hard-edge painting is an "anti-traditional" art language.This paper illustrates and analyzes the artistic expression of color,theme,composition,plane and purity in the works of artists,which is also a sign of the establishment of hard-edge painting language style in art.The fifth chapter mainly from the hard edge painting in the current domestic artistic creation of the new embodiment.For example,the artist explores the new ideas of hard edge painting in the current artistic context,as well as the new artistic language formed in the process of creation.Finally,hard edge painting has brought a new artistic outlook because of its subversion of traditional painting language,which has provided more possibilities for the development trend of contemporary multi-dimensional and multi-polar art.