Geling Yan’s ’Military Art Troupe’ Writing

The experience in ‘military art troupe’ has an important significance for the writer Geling Yan.The writing of ‘military art troupe’ almost runs through her writing career.The personal characteristics and the expression of traumatic experiences reflect the close relationship between personal experience and the writer’s creation.In Geling Yan’s works,as a special historical field,the ‘military art troupe’ presents a paradoxicality in the special period: from the perspective of spatial function,military art troupe not only undertakes the propaganda mission in the special period,but also is a big stage for the young art soldiers to express their youth;from the perspective of the nature of the site,it is not only the carrier of revolutionary spirit,but also the place for troupe members to pursuit their art spirit.The revolutionary core and the artistic external nucleus continue to collide in a special period.Additionally,under control of organizing discipline in special period,military art troupe is a place where those young art soldiers are emotionally motivated,where the emotions and desires are in a condition of plenty but insufficiency.Geling Yan’s writing of collectivism experienced a process from identification to suspicion,and then to escape.The great impact of historical illness on the life of downtrodden people is revealed out of the ‘misreading’ of ’Liu Feng’ and the tragic fate of ‘He Xiaoman’.In comparison with ‘New Scar Literature’,‘Youth’ not only supplements the double harm from new and old scars on art soldiers,but also attempt to heal and reconstruct ‘the philosophy of love’ in the conversational writing between present and past.The ‘military art troupe’ writing in narration development reveals Geling Yan’s continuous exploration and innovation of narrative art and the possibility of renewable narration of ‘military art troupe’ experiences in multiple isomerization under the same topic of ‘primary plot’.