The Study On China's Uyghur Twelve Muqam (Based On 1964 & 1967 Edition)

China is a large family composed of 56 ethnic groups,in which each ethnic group has its own unique cultural heritage.For example,the Mongolian has "Jianger",the Tibetan has "Gesar",the Kirgiz has "Manas",the Uygur has "Twelve Mukams" and so on."Twelve Muqam" is an excellent classical music of the Uygur people and is known as the "Pearl of Oriental Music".Twelve Mukam inherits and carries forward the musical traditions of "GuZe Music","ShuLe Music","GaoChang Music","YiZhou Music","Yutian Music" in ancient Western music,during the Han and Tang Dynasties Formed a complete art form.Twelve Muqam is the essence of the Chinese culture for centuries.It makes a collection of traditional classic music based on music,songs,dances,folklore epics,dramas,Macy's and poetry.Since the recording of Muqam,the first Muqam lyrics book published in February 1960,many researchers at home and abroad have extremely interested in Muqam and conducted research,which followed by a series of research achievements.However,most of these work is limited to the collection of basic data,and the research work is still in the initial stage of theoretical construction.In addition to Zhou Ji,Zhou Jingwei,Song Pei,Li Qiang,Liu Kui and others,some books and some research articles can reach the theoretical level.In addition,most of the research results are theoretical knowledge.At present,Muqam researchers have a wealth of knowledge,experience and information resources,but due to the lack of understanding of the Aruz rhythm and related research,study on the relationship between rhythm poetry and Muqam,the main position and role of rhythm poetry in lyrics still remains unsatisfactory level.As is known to all,the Uyghur Muqam is composed of three major parts: “Daqu”,“Dastan” and “Maxrap”,and many of the three major poems come from the poems of ancient poets.From this point of view,it can be boldly proposed that in the study of Muqam,we must study the characteristics of the rhythm and metrics of Muqam's lyrics,the status of these metrics in Muqam,and their usage.These characteristics are compared with the Muqam lyrics left by Master Turdi Ahun to find out the commonalities and differences.It is pointed out that the similarities and differences of Muqam is one of the important tasks in the current research of Muqam.Therefore,this article is based on the Mukam lyrics book(internal data)published in 1964 by Turdi Ahon,which has not changed much,this paper studies the internal law of Mukam and the rhythm of its lyrics,which is one of the important works of Mukam's research.This paper consists of an introduction,three chapters and a conclusion.The introduction consists of four subsections.The first section describes the topic of the paper.The second section describes the research situation of "Twelve Muqam" at home and abroad,the third section describes the research significance and academic value of Muqam;the fourth section describes the research methods and research methods adopted.Features and innovations;Section five describes research references and problems.The first chapter includes "Twelve Muqam" and its internal laws.The chapter consists of three subsections.The first and second sections briefly describe the musical structure and internal laws of Twelve Muqam.The third section describes Twelve Muqam and Aruqi Relationship.The second chapter includes the Muqam lyrics and characteristics of Turdi Ahon.The chapter consists of three subsections.The first section describes the Muqam tune and its layout features in the version of Turdi Ahon.The second section describes the poems and characteristics of the various tones of Muqam.The third section describes the characters in the lyrics.Then Le and its characteristics.The third chapter includes the Muqam lyrics published in 1997 and its metrics.The chapter consists of four subsections.The first section tells the arrangement of the editions and tunes published in 1997,the second section describes the lyrics and problems of the Muqam tunes filled in 1997,and the third section describes the Muqam published in 1997.The poetry in the lyrics and its rhythmic characteristics,the fourth section tells about the protection,inheritance and current problems and solutions of the "Twelve Muqam".