On The Use Of Lens Style In The Documentary "In ONE's SIXTY"

Documentary,as an important part of TV programs,is characterized by real people and events.It is a kind of film that takes real people in real life as the creation prototype and real events as the creation material for artistic creation,so that the audience can feel the real feelings presented in the drama through TV and through the lens.The shooting method of the documentary tends to record the facts,but it also integrates the artistic shooting method.Through the combination and arrangement of the program content by the director,the content can be presented through the presentation of the artistic techniques.No matter which form of style or artistic technique is used,the lens is the most direct way of presentation,so the use of lens style is particularly important.This paper discusses the application of dynamic and static camera styles in different periods and different inner situations in the documentary " IN ONE's SIXTY ".Dynamic and static are two important elements in the lens language,and almost all lens presentations are no more than these two types.Dynamic and static can reflect completely different director's intentions in different situations.The motion of the lens is more close to the real perspective,making the documentary more close to the original appearance of the objective life.The expression of the lens can make the audience accept more information,and also make the dull picture dynamic,making the picture add vitality while expressing the director's intention.And static is also a necessary means of presentation.Many shots are inseparable from static,and can not be separated from the coordination with movement,a static movement to complete the description of the environment and action,the performance of emotion and control of the rhythm.