A Comparative Study Of Chinese Landscape Paintings And European Landscape Paintings In The 18th Century

As an important part of national culture,painting art is inclusive and combines human spiritual,emotional and spiritual factors with great inclusiveness.It combines many disciplines and cultures with great integration.It can be said that painting art is universal.Language,which makes different cultures tolerant and understand each other.Chinese landscape painting and European landscape painting are important components of Eastern and Western cultures.The research and comparison of Chinese landscape painting and European landscape painting have positive significance for promoting the harmonious development of today's world culture.Chinese painting has a long history and profound meaning.Landscape painting is the most important part of its composition,and it is also the core of expressing the thoughts of painters and literati.As an important period of the development history of Chinese painting,the landscape paintings of the Qing Dynasty have unique artistic characteristics.The 18 th century European landscape painting is also an important period for the development of landscape painting.At the same time,how do paintings in different regions inherit tradition,break through innovation,and lead the direction of painting? Based on the above problems,this paper mainly compares and analyzes18 th century Chinese landscape paintings and European landscape paintings through four parts.The first chapter is mainly about the comparison between the Chinese landscape paintings in the 18 th century and the rise and fall of European landscape paintings,including the concept of the 18 th century European landscape painting and the Chinese landscape painting,the rise and development process,and the morphological evolution.The second chapter is the comparison of the expression themes and creative ideas of Chinese landscape paintings and European landscape paintings in the 18 th century.It mainly summarizes the differences in creative ideas and themes through analysis of their cultural background and developmental origins.The third chapter is the comparison of the expression language of European landscape paintings in the 18 th century Chinese landscape painting.It mainly compares the similarities and differences between Chinese landscape paintings and European landscape paintings in terms of tectonic,composition and color in the 18 th century.The fourth chapter is the comparison of aesthetic concepts between Chineselandscape paintings and European landscape paintings in the 18 th century.It is mainly to compare Chinese landscape paintings in the 18 th century with European landscape paintings through different expressions of the artistic conception of the screen.Summary: Through the comparison of the two,the authors derive their individuality and commonality and the trajectory of unity and integration,and explore the implications of the integration and reference experience of this period on the integration and development of art in the current era.The innovation of this paper is that the previous research is a comparative study of Chinese landscape painting and European landscape painting,and there is no specific analysis and comparison for a certain period.This topic captures the comparative study of Chinese landscape painting and European landscape painting in this critical period of the 18 th century.This is the innovation of this topic.With a clear and specific structure,the paper analyzes the similarities and differences between Chinese landscape paintings and European landscape paintings in the 18 th century,summarizing their commonality and individuality,and the interaction between the two.