Aesthetics Of Co-Productions Between The Mainland And Hong Kong(2003-2018)

The CEPA agreement signed between Hong Kong and the Mainland in 2003 provided a turning point for the development of films in both places.After CEPA,Hong Kong filmmakers began to "go north" with their mature film production experience and are ready to show their skills in the vast mainland market.Similarly,there are various aspects of the Hong Kong film industry chain.The policy was issued so that the co-production of the two places was formally incorporated into the national system.The development of co-productions between Hong Kong and the mainland has always been accompanied by political,economic,cultural and other factors of traction,and has also brought different degrees of influence to the aesthetic presentation of co-productions.This article aims to explore the creative inspiration and cultural significance of the Chinese film industry in terms of aesthetic evolution and aesthetic value from the aesthetic point of view,combined with several creative cases and phenomena of the mainland and Hong Kong co-productions in the past 15 years.The first part of this article mainly explains the background,current situation and overall aesthetic features of the "post-CEPA" co-productions.The second part to the fourth part analyze the aesthetic changes and core values of co-productions from the perspective of formal aesthetics,commercial aesthetics,and accepting aesthetics,respectively,in order to see the background of industrial integration,cultural integration,and inheritance and innovation of mainland and Hong Kong films in the past 15 years.The practical significance of co-production aesthetics.In particular,the traditional "Hong Kong-produced films" type experience and movie rhetoric not only try to ask about the aesthetic traces of the "Hong Kong taste" in the face of the more open cultural needs and diversified aesthetic expectations of the Mainland market.The historical trend and realistic trend of this kind of film aesthetic experience are further analyzed and analyzed,as well as the creative growth points and industrial growth points that can be used for continuous reference for the aesthetic accumulation and innovation,industrial integration and dissemination of the entire Chinese film industry.