Zong Baihua’s View Of Artistic Conception

Zong Baihua,as a master of modern aesthetics,has attracted wide attention from the academic circles since the 1980 s.The content mainly involves Mr.Zong Baihua’s aesthetic thought,artistic conception analysis and life philosophy research,etc.Therefore,his research works and data collation have been quite rich,but scholars have not noticed that Mr.Zong Baihua’s meaning of "artistic conception" is obviously confused in the process of studying these aspects,which is mainly manifested in his frequent alternate use of the three concepts of "state of the art","artistic conception" and "artistic realm".However,the specific orientation of these three concepts is essentially different.To sum up,on the one hand,Mr.Zong Baihua has not made a specific explanation in his monograph "Yijing";on the other hand,he has not made a clear distinction between them since Wang Guowei,but in recent years,the academic circles have begun to study and discuss the relevant issues.This article is based on the existing foundation,starting from the analysis of "three boundary",separates its specific meaning,and further promotes Zong Baihua’s unique artistic conception display.The first chapter mainly combs and integrates the meanings and functions of "artistic realm","artistic conception" and "state of the art".It finds that Zong Baihua’s concept of "state of the art" has an inclusive relationship with the two concepts of "artistic conception" and "realm",and the concept of artistic conception is not limited to the concept of "realm".Therefore,the differences and links between them are comprehensively analyzed.In addition,the unique construction process of Zong Baihua’s conception of artistic conception is analyzed based on his background of the times and the cultural influence he inherited,which also involves his contribution to the modernization of artistic conception.Chapter two makes a concrete analysis around the artistic realm.In Zong Baihua’s view,realm exists in science,philosophy,morality,religion and so on,but there are different tendencies in expression.And all this is due to people’s experience in real life.After sorting out the texts,it is found that the pursuit of life of famous Chinese scholars in Wei and Jin Dynasties and the personality spirit of Goethe in the West have deeply influenced the formation of Mr.Zong Baihua’s unique conception of realm.They melttheir life content and natural knowledge into artistic creation and construct a unique artistic realm.In addition,in Zong Baihua’s realm level analysis,there is a new understanding of "realism".Traditionally,the characteristics of traditional Chinese art have been directed at freehand brushwork,but Mr.Zong has peeped into the foundation of realism and explored the vitality of nature.The third chapter mainly discusses the artistic conception tends to create the method itself,mainly from three levels of analysis: First,from the perspective of scenario blending,Mr.Zong breaks through the tradition and discovers the creative significance of "heart source".Secondly,from the point of view of using pen in bone method,Mr.Zong’s artistic conception is created by people’s hearts,but externalization can not be separated from using pen,but there are great differences between Chinese and Western pens,which is also an important reason for the profound artistic conception of China.Finally,from the point of view of time and space,Mr.Zong believes that the implicit and profound artistic conception lies in the artist’s grasp and presentation of time and space,which reveals the beauty and grandeur of art.Chapter four mainly focuses on the state of the art pursued by Mr.Zong,and studies the content of its performance,mainly reflected in the field.On the one hand,it is the realization of art,not only in theory,but also in its creation;on the other hand,it is the realization of life,not only the pursuit of poetic life,but also the ardent hope of cultivating a new personality.