The Research On The Modern Manifestation Of Enamel Painted Porcelain

The “Three generations of Qing Dynasty” was the peak period in history of the enamel painted porcelain.The traditional enamel painted porcelain is the symbol of royal nobility and the apex of art,but it gradually disappears with the times,which is represented by the enamel of the imperial court.Although there are still imitations in later ages,it is difficult to reproduce perfectly the inner mysteries of them.In 1925,the Palace Museum opened,and people were able to see its glory.Contemporary(especially after the1990s)Enamel Painted Porcelain Artists have not only revived the classical enamel art though their own research on the enamel color,And their understanding of philosophy and life into their works,broke the shackles of the traditional,and formed the “new enamel” with contemporary artistic ideas.The author named it the modern enamel painted porcelain.The main research target of this paper is the modern manifestation of enamel painted porcelain.In order to accomplish this research goal,this paper studies through three parts: introduction,text and conclusion.The introduction part is the preparation work of this paper and the research background of this paper.Then the text is divided into three chapters.The first chapter starts from the origin of the enamel,studies how the enamel was introduced into China and its rise in China,complete the research from the traditional manifestation to the modern manifestation.In the second chapter,in the study of the modern manifestation of the enamel painted porcelain,this part mainly analyzes the characteristics of the modern manifestation,especially the sample of Li Bin`s modern creative enamel painted porcelain is studied.From the perspective of ceramic aesthetics,the aesthetic research on the modern enamel painted porcelain was carried out.From the aspects of material quality,color glaze,shape,technology and culture fusion of modern enamel painted porcelain,the art manifestation of modern enamel painted porcelain is studied in this part.In this paper,the art of enamel painted porcelain is put into the discussion of art ontology,the cornerstone of the study of Chinese and Western philosophy,the essence of civilization and the eulogy of life are explored from the perspective of human existence.The third chapter discusses the similarities and differences of ancient,archaize and modern creative enamel painted porcelain,and makes a longitudinal explanation of the whole history,This paper discusses the effect of the innovation and development of the modern artistic manifestation of enamel painted porcelain.Finally,this article aims at the research of the modern manifestation of enamel painted porcelain and draws conclusions through reflection.