A Comparative Study Of The Style Of Enamel And Painted Porcelain Art In Qianlong Period

Chinese porcelain is a combination of the spiritual and cultural life and the material and cultural life of ancient society with the feudal preferences consistent with men of literature and writing.The personal preferences of the ancient emperors,special foreign policy also affected the production of Chinese porcelain.Enamel porcelain,as three dynasties famous palace imperial porcelain in Qing Dynasty of Kang xi,Yong Zheng and Qian Long.Because of its imitation copper enamel,the palace is called "enamel painted porcelain".Another glaze temperature in pastel painted porcelain.The inheritance of traditional China glaze colors,and is affected by enamel.During the reign of Emperor Qianlong enamel and pastel painted porcelain,the performance of the arts and crafts height in the development of Chinese ceramic art civilization plays an important role,can be said to be a Chinese porcelain technology in higher levels of representative.The first part of this paper is the introduction of the research scope and significance of this paper,on the basis of this review has been the domestic and international research status.The second part starts to cut into the topic of this paper,and clarify he style and characteristics of the reign of Emperor Qianlong enamel and pastel painted porcelain.The third part mainly discusses the factors of the characteristics of the style.The factors including the influence of western culture,Western painting,porcelain export policy and Rococo art style,Emperor Qianlong personal interest hobby,traditional Chinese paintings.The fourth part is the core of this thesis,analyzes the Qian Long enamel and pastel painted porcelain different style.The research and discussion are carried out in detail by means of modeling,decorative content,decorative form,technology and so on.Conclusion style on Qian Long enamel and pastel painted porcelain summary,it points out the significance of the social development at that time and the new ideas for the study of the history of ceramics.We should find the development of various periods of Chinese ceramic art is inside and outside as a result of role,not only by the local porcelain craft,aesthetic effect,but also by the influence of producers,producers and users,the dissemination scope of cultural context.