A Study On The Blue And White Porcelai Of Yongxuan Guan Yao In Jingdezhen Under The Influence Of Foreign Culture

China's ceramic culture has not only left a brilliant chapter in the history of the development of Chinese culture,but also made a great contribution to the development of ceramic art in the world.Chinese blue and white porcelain is the witness of the integration of Chinese and foreign cultural exchanges.As early as the late Tang Dynasty,blue and white porcelain was exported to overseas as export products and became the medium of cultural exchange between Chinese and foreign ceramics.Especially in Jingdezhen Yongxuan Guan kiln,it was obviously influenced by the foreign culture from Islamic culture and Mongolian grassland culture,and showed a brief phenomenon of foreign cultural decoration.There is a lot of research on Yongxuan blue-and-white porcelain,which focuses on the characteristics of Yongxuan blue-and-white porcelain,the technology,the decoration,the design,and so on.However,there are relatively few studies on the blue and white porcelain of Jingdezhen Yongxuan period under the perspective of the integration of Chinese and foreign cultures in the early 15 th century.Therefore,from the perspective of history,archaeology and philology,this paper analyzes and explores the early 15 th century,due to the economic,political,cultural and other factors,Jingdezhen Yongxuan Guan Kiln blue-and-white porcelain patterns,blue and white cobalt materials,decorative layout,The form of utensils has indeed been influenced by the culture of the outside world.This paper will explore from four aspects:First,From the aspects of economy,politics,culture,geographical position and so on,this paper analyzes the inevitability that the blue and white flowers of Yongxuan Guan kiln in Jingdezhen are influenced by foreign culture.Second,through the analysis of Islamic decorative patterns and Mongolian decorative patterns,it is found that the blue and white flowers of Yongxuan Guan Kiln in Jingdezhen are really influenced by the extraterritorial culture,especially the Islamic and Mongolian patterns,It presents delicate and complicated decorative features.Third,Through a large number of physical pictures to prove the Jingdezhen Yongxuan Guan kiln blue and white in modeling for Islamic handicrafts and Mongolian grassland nomadic national life utensils for reference and absorption.Fourth,By analyzing the style of imitating Yongxuan blue-and-white porcelain at home and abroad in the late Ming Dynasty,and the imitation and collection of Yongxuan blue-and-white porcelain abroad,the value of Yongxuan blue-and-white porcelain and its influence on future generations are further explained.It is helpful for us to further understand thedecorative style and aesthetic connotation of Yongxuan blue and white flowers,and to provide references for the development of modern blue and white flowers in decoration,instrument design,aesthetic implication,and so on.