The Study Of Qin Texts In The Han Dynasty From The Perspective Of Literature

The art of Guqin has a long history.It is not only a music art,but also has an intersection with literature,philosophy,history and other disciplines.The Han dynasty is the key period for the development of Guqin art The texts related to the Q in in this period are rich and colorful.At present,there are related researches on the texts related to the Q in of the Han dynasty,but there is a lack of systematic research and attention,The texts related to Qin is still a point worthy of attention under the vision of literature.On the basis of the predecessors,this paper analyzes the cultural,aesthetic and literary aspects of the texts related to the Qin,in order to enrich the research results of the Han dynasty about the texts related to the Qin.The first chapter is the classification and arrangement of the literature related to Qin in the Han dynasty.The first is to expound the basic outline of the texts related to Qin in the Han dynasty,and to summarize the texts related to the Qin systematically and sporadicly;the second is to classify the main texts related to the Qin,which are mainly divided into three parts:the Guqin's composition,Guqin's poetry,the books of Qin.And do a brief analysis.The second chapter is the culture of the Han dynasty under the thinking of"simulation".The Guqin culture of the Han dynasty is influenced by the "simulation"thinkings and all aspects of the Qin culture can be linked to the "simulation".The shape of the Qin,the material of the Qin,the Qin and the a zimuth,the Qin and the twenty-four solar terms,and other problems related to the instrument all reflect the "simulation"thinking.The various parts of the Qin have symbolic meanings,ranging from national politics to personal cultivation.The "simulation" makes the meaning of musical instrument moral richer.At the same time,because the Guqin's cultures in Han dynasty pay more attention to the social function of the Qin,the performance of the literati is more than that of the artistic Qin.The third chapter is the aesthetic pursuit in the texts related to the Qin of the Han dynasty.Different Guqin aesthetics can be found from the different names of the Qin.The Han dynasty called the Qin "Yaqin",it reflects the Han people's "Ya Zheng" style of aesthetics about Guqin.The Han people's requirements for the appreciation of the Qin also reflect their aesthetics of the Guqin.For example,the appreciation of the Qin enviroronment is divided into an objective external environment and a subjective internal environment The understanding of the Guqin's composition is divided into different levels such as songs,numbers,and people.There is a tendency to "ipholding sadness"for the appreciation of the music of Qin.The fourth chapter is the intercommunication between the texts related to Qin and literatures of the Han dynasty.Many literati in the Han Dynasty were also Guqin masters.The Qin had a lot of influence on the life and ereation of the literati.At the same time,the literati played a vital role in the prosperity of the Guqin art Many of the texts related to the Qin show a strong literary character.They have a literary interpretation of problem solving text and Guqinfs poetry in Qin Cao.At the same time,Qinfu,Guqinfs poem and Guqin's poetry reflect the intercommunication between literature and lyrics.It not oviy shows a strong literary beauty but also reflects the beauty of music.