Folk Art Performance And Activities Of Taihangshan Drum Team (1949——1979)

On the one hand,in order to adapt to the political needs,the political attributes of the grassroots drum team in the Taihang mountain area were gradually influenced by the national will and the official ideology.On the other hand,the artists pursued certain autonomy in propaganda and gradually Defining their own position and positioning,their social attributes have been expanded.Propaganda shows different trends at different times.During the Anti-Japanese War,folk art became a bridge,realized the benign interaction between politics and rural society,promoted the development of the anti-Japanese literature and art and the mobilization of the war of resistance;in the 1950 s,the core always focused on how to carry out political propaganda on folk art;how the free storytellers were institutionalized,politics How to realize the reform of socialist rural culture in the content form of literary and artistic propaganda;after the reform and opening up,it shows how to meet the needs of individual interests while launching political propaganda.Therefore,the relationship between literature and politics between "Who is our drum book? What do you say? What do you say?" profoundly reflects the internal transformation mechanism of Quyi in a special historical period.The full text is divided into four parts,among which the introduction mainly includes the origin of the topic of folk literature and art research in the Taihang Mountain area in the 20 th century,the research status and research methods at home and abroad,which is the background support and research basis of this paper.The first chapter focuses on the transformation of the Taihang Mountain Drum Book under the leadership of revolutionary propaganda in the 1930 s and 1940 s.In the early days of the Anti-Japanese War,the Taihang Mountain Drum Book,as the main form of rural culture,played a positive role in the mobilization of war,which caused the concern of the local government.And gradually introduced it to promote the anti-Japanese national salvation as the main content,mobilize the people to participate in the anti-Japanese war and art transformation within the scope of the war.With the continuous deepening of the“Drama Reconstruction” movement of the Taihang Mountain base government,the communication between the government and the traditional rural society has been established through the communication role of the drums.This paper analyzes this interactive relationship from three perspectives:drum artist,drum book,and art group.The second chapter explains the transformation of the drum book from the three aspects of "reform people","reform" and "reform" in the background of "the opera reform movement" in the 1950 s.The expression of the Taihang Shangu Book has changed..The government began to incorporate it into the national discourse system and participate in the socialist transformation of rural cultural construction.This paper analyzes and studies the Taihang Mountain Drum Books in the 1950 s,and then points out how in this period,how to carry out political propaganda in Shanxi folk art to realize socialist rural cultural transformation.The third chapter of the middle and late 20 th century,especially the period of the Cultural Revolution,was a period of highly politicized drums."The drum book became an integral part of the national ideology.During this period,the interaction between the folk art represented by the drum book and the rural society was mainly influenced by the will of the state,and even to some extent was separated.After 1978,drum books and artists sought development in meeting political propaganda and adapting to the development of the market economy and seeking their own interests.How does the drum book achieve both the promotion of socialist culture and the aesthetic tastes and habits of contemporary literary audiences.This thesis selects three representative time periods of the 1930 s,1940s and 1980 s to conduct special research.Through combing the development of the drum books in the Taihang Mountain area in the 20 th century,we try to reform the influence drums.All aspects of the development of the book are linked,and the internal relationship between politics and rural culture construction is systematically and systematically grasped.Through the study of the continuity and unity of the reform and development process of Taihang Mountain Quyi and artists in the 20 th century,it is put into the overall reflection of the folk art culture in the 20 th century,and explores the essence of the reform and development of folk literature and art.