The Inheritance Research Of Xiangtong Opera In Longyang District Of Baoshan City Under Modern

The Xiangtong Opera in Longyang District,Baoshan City is a traditional,local and unique folk art.It is also a kind of Nuo drama composed of two main bodies:sacrificial activities and repertoire performances.It integrates rituals,operas,music,dance,painting,and paper-cutting.Calligraphy and literature are equal to one.Its purpose is to drive the devil to the epidemic,eliminate the disaster,qingji peace.It is a very important folk culture in the area and reflects the profound cultural beliefs of the people.In June 2017,it was listed as the fourth batch of intangible cultural heritage protection projects in Yunnan Province.In the modern context,with the development of social economy,science and technology,its fate has also undergone different changes,and even tends to decline.This paper takes Xiangtong Opera in Longyang District of Baoshan City as the research object,and analyzes its existence in modern context by investigating and discussing the organization structure and performance process of Xiangtong Opera Troupe.There is a crisis of the successor,the drama crisis,the audience crisis and the performance space crisis.Finally,it is concluded that in the face of multiple crises and its important folk values,the protection and inheritance of Xiangtong Opera requires multiple attention and multiple efforts.It is hoped that this folk custom matter can be fully demonstrated in the region's survival status,and provide some help for the protection and inheritance.