Qijunzao Calligraphy Study

Qijunzao,Jiaqing in the 19 th year(1814)jinshi,after entering the career,for the official calendar Jiaqing,Daoguang,Xianfeng,Tongzhi four dynasties.When Emperor Xianfeng was granted Prince Taibao,he was later the Minister of Military Affairs of the King Renge University and the foreman.The official finally made a product.He is proficient in the study of the classics,likes to make poetry and calligraphy,and has many writings spread to the world.He once advocated the reconciliation of the Han and Song dynasties and was the representative figure of the poetry movement in the Song Dynasty.Due to its political status and the influence of poetry,calligraphy is also quite influential.In the past,Qijunzao's calligraphy research focused on simple works and did not carry out a comprehensive and systematic combing of his collections,diaries,and inscriptions.At present,we can see that Qijunzao's calligraphy related documents and calligraphy works are relatively comprehensive,and family history and friendship can be better organized.In this way,through the historical materials handed down by Qijunzao,we can see the important officials of the late Qing Dynasty's attention to calligraphy and the aesthetic problems of the method.While our research is paying attention to the late Qing Dynasty stele,it should be seen that a large number of scholars still adhere to the traditional style of books such as the Pavilion,the Second King,Zhaodong,and Yanliu.We can see that Qijunzao's style of writing and writing as a first-class civil servant in the late Qing Dynasty basically absorbed the length of Yan,Ou,Liu,and Zhao's family,forming a calligraphy style that was calm and elegant,and became a teacher.The representative of Tang Kai.