The Development Of Literati Purple Sand Pot Art In Qing Dynasty Seen From The Seventy-Three POTS

The Qing people entered the customs and implemented a series of policies conducive to the development of the handicraft industry in order to increase finance at the same time as develop literary prison.By the middle and late Qing Dynasty,the handicraft industry had been greatly developed.In the Qing Dynasty,Yixing Teapot was able to prosper on the basis of the Ming Dynasty.The early Qing Dynasty’s purple sand was short-lived,and the literati’s purple sand pot art in the middle and late Qing Dynasty was a new art form in the history of the development of purple sand.It was the product of the cooperation between artisans and literati and had representative significance in the process of exploring the development of Chinese handicrafts.The concept of the literary pot was established after the cooperation between Chen Mansheng and Yang Pengnian in the middle of the Qing Dynasty,but the connection between the purple pot and the literati began in the late Ming Dynasty.The development of the tea culture and the participation of literati have promoted the formation and development of literati’s pot art,which has certain characteristics of the times.The manuscript of the "73 pot map" is a work of the late Qing Dynasty.The 73 pots in the manuscript are literati pots designed by literati during the Ming and Qing Dynasties.Therefore,they want to explore the formation and development of literati’s pot arts in the middle and late Qing Dynasty.As a relatively complete record of the Ming and Qing literati purple sand pot art materials,the "73 pot map" is available.