A Study On The Thematic Mode Of Chinese Ghost Romance Movies

The love between man and ghost exists extensively in Chinese movies.Among them,Painted Skin and Qiannu Ghost are popular screenplays remake by directors.In different times,the theme of love between man and ghost has injected different forms of cultural imprint into Chinese movies.This paper combines the current situation of Chinese ghost movies,and on the basis of the discussion of "ghost culture",classifies and analyzes the "ghost view" of different cultural carriers.Therefore,under the guidance of traditional culture,the theme mode of the film is classified and divided,the theme mode of each period is summarized,and the cultural value of the overall and sub-themes in the films with human and ghost love themes is summarized from three aspects,namely,the characteristics of The Times,character positioning and spatial aesthetics,so as to obtain the corresponding research results of the theme in each stage.Full text research the integrated use of text construction,characterization,theory of spatial properties beyond the grave,analyzing the film,film and television form from more than one person love ghost movie case behind the cultural connotation of the subject matter of vertical type to in-depth analysis,through to the people love ghost movie plot setting,characters,space attribute objectively reflect the era are summarized in the mainstream cultural values change,the change of the social status of women and men,space aesthetics in the natural attribute and social attribute of variations.Under the theme of human and ghost love,the screening of plots and the classification of story types are carried out,so as to extract the complex theme patterns in the films of human and ghost love,and conclude clear and obvious stage judgment.The theme mode is divided into three stages.The first stage is the initial form theme mode(1954--1966): the interleaving of tradition and alienation;The second stage is the thematic model of the development period(1983-2002): the interpretation of modern cities;The third stage is the new century thematic model(2003-2012): the loss and return of zeitgeist.Beyond the grave films both in which one phase showed obvious cultural value path,director with the aid of a ghost to express ideal life and human quality expectations,the time background of objective and subjective intention expression,extended to the entire Asian people love ghost film,the Chinese people love ghost movie research is very necessary.