Research On The History And Form Of Huteng Dance

"Sogdiana" is located in the crossroads of the Chinese and Western civilizations.The Sogdians are the ancient commercial people on the Silk Road.They are known to the world because they are good at doing business.The Sogdians who"as long as there are benefits,as far as possible will go" once controlled the Silk Road on the land for several centuries.They were the messengers of spiritual and material cultural exchanges on the Silk Road in the Middle Ages.Since the ancient conquerors went east,traders came west.The Sogdians who actively traveled on the east and west civilization corridors not only enriched the physical fusion of the Internet of Things,but also added a burst of fragrance to the poetic expression of the Eastern and Western civilizations.The "Sogdian Dance"famous in central plains is not only the poetic brilliance of Central Asian art in the Central Plains,but also the Huteng Dance of "Jumping and Turning with tape Ring","and Huxuan Dance of "turning left and right tirelessly",Zhezhi Dance of "light and boneless",and the"Kang Guo Music" and "Anguo Music" in the dances of the Sui and Tang Dynasties are all from the wonderful dance art of the Sogdians in Central Asia.Among them,Huteng Dance,one of the "three major music and dances in the Western Regions" that the world admired,has also been the best for a time and has swept the various social classes of the Central Plains Dynasty.However,people all know Huteng Dance and Huxuan Dance,but they don’t know what they are;people all know that Hu Teng and Hu Xuan are different,but they don’t know the difference between them,and the reasons behind the difference.This paper is based on the dual considerations about history and form of literature of Huteng Dance.The paper starts from the two aspects of literature and archaeology,and adopts the research methods of "poetry evidence of dance","evidence of dance by history","mutual evidence of map and history".The archaeological images of the Sogdians are intended to be close to the real Huteng Dance.In order to accurately analyze the code of Huteng Dance,and grasp when,where and who danced what kind of dance it is,the paper explored the life experiences of Li Duan,Liu Yanshi,Yuan Zhen,Bai Juyi and other poets,and combined with official history,catalogues,miscellaneous records and other historical materials,as well as archaeological excavation images,not only look back at the history of Huteng Dance from the perspective of contemporary people,but also try to interpret Huteng Dance from the perspective of the ancients to explore the origin and development of Hu teng Dance.The paper is closely related to the places of origin,performance forms,style appearances,name sources,dance programs,costume programs,music programs,and related ontology issues such as historical stage and early age of Huteng Dance.This paper seeks to study the purpose with "respecting the true trace of history and returning to the body of Huteng Dance",and rebuilding the Huteng Dance as an academic luxury.