Narrative Strategies Of Non-Heritage Documentary Films

On May 8,2001,UNESCO published the first list of “Masterpieces of Human Oral and Intangible Cultural Heritage”,and Kunqu in China was included.Since then,"intangible cultural heritage" has received attention(hereinafter referred to as "non-legacy").The "non-legacy" culture includes traditional skills,folk art,oral communication,handicrafts and other categories,forming a cultural treasure of the Chinese nation.With the rise of the "non-legacy" cultural concept.For non-legacy cultures,it is extremely important to use a tool to record them.Most of the folk crafts are supported by themselves,which increases the inheritance of non-legacy culture.Through the TV documentary,more people can understand the culture of non-legacy,and their communication and influence will continue to expand,which is conducive to the future inheritance and development of the non-legacy culture."Qingcheng Minor" is a local traditional art from the ancient town of Qingcheng.It was selected as the intangible cultural heritage of Gansu Province in 2008.However,due to geographical restrictions,Qingcheng minor has not received public attention.There is still no one.Regarding the non-legacy documentary of Qingcheng minor,there is a lack of certain imagery for the future protection and inheritance of non-legacy culture.Before the filming,I studied the origin,region,humanities,and status quo of the Qingcheng minor,and carried out the documentary filming work.According to the previous theoretical research and practical shooting,the thesis is divided into four parts.Firstly,it sorts out the concept of non-legacy of humanities,which is discussed from the role of classification,evolution and innovation,and the protection of documentary non-legacy culture.Secondly,From the narrative strategy of the documentary,it is divided into two aspects: narrative strategy theory and non-legacy documentary narrative strategy research;again;research on the narrative strategy of "Qingcheng Minor",the technical characteristics and narrative of "Qingcheng Minor" The characteristics,character narrative characteristics,and narrative structure are discussed as branches.Finally,the image language of "Qingcheng Minor" is discussed,which is discussed from the point of interpretation,interview,simultaneous sound,and editing rhythm.With the changes of the times,the development of science and technology,the communicator and the recipients are integrated,mutual image,how to enhance the ability of non-legacy documentary dissemination under the new media environment,and welcome more young people.In the relatively real situation,the documentary can add the story of the non-legacy documentary through the microscopic perspective,broaden the innovation and extensibility of the documentary theme,and clarify the Chinese people's own story.