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Exploration Of Water-based Language In Comprehensive Painting

Posted on:2020-06-02Degree:MasterType:Thesis
Country:ChinaCandidate:X X XuFull Text:PDF
GTID:2415330572978385Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
Civilization is moving towards great harmony,with the globalization of the world nowadays.The innovation of ideas and media materials no longer makes it clear that there is a boundary between various arts.Instead,they learn from each other and show a trend of diversified development.In this context,the limitations of traditional water-based materials are increasingly apparent.The single media and expression form can no longer satisfy the expression of artists' emotions.Water-based language needs to grasp the opportunity of the development of The Times and make corresponding adjustments.Highly stressed painting autonomy and the originality of the diversified development of comprehensive painting is water-based language a direct way,it changed the way we look and the way of thinking,make the material from carrier to self-expression,borrow things lyrical language performance aroused the recipient of the associations of life and aesthetic creation activities,for the traditional water-based language has injected new vitality.The main purpose of this paper is to reposition and rethink the expression of waterborne language.This paper discusses the exploration of water-based language in comprehensive painting through four chapters.The first chapter summarizes the characteristics and development of water-based language in the east and the west,respectively represented by watercolor in the west,propylene and ink in the east.The second chapter discusses the development of waterborne language in the aspect of media materials and techniques in comprehensive painting,and further analyzes and demonstrates that comprehensive materials are the supplement and assistance to traditional waterborne materials in representative works of Chinese and foreign artists.The third chapter discusses the influence of comprehensive materials on water-based language from three aspects:expression form,creation concept and aesthetic value.In the fourth chapter,the author fully feels the combination of various materials and techniques through his own practice,which provides a broader space for the development of waterborne language.Exploration of water-based language,can learn about the artist with open mind and enterprising spirit to make water step towards getting rid of the bondage of traditional language,enlarge the conceptual category of water-based materials painting,to give these material of emotions at the same time,enrich the ability in language expression,a movethat let us feel the art form in such diversity.The exploration and learning of water-based language in comprehensive painting provides valuable experience and inspiration for the author's water-based material painting creation.
Keywords/Search Tags:comprehensive painting, Waterborne language, Diversification, media
PDF Full Text Request
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