Study On The September 18th Incident Reportage

This paper takes the reportage of the 1918 national disaster as the research object,mainly from the definition of the theme concept,the text analysis under the theme of the national disaster and the significance of the times and other aspects of systematic collation and in-depth analysis,so as to enrich the content of the integration and research of the literature of the 1918 national disaster and provide literary resources.Firstly,the time boundary of the reportage of the 1918 National Disaster,the interpretation of its stylistic features and the combing of its creative achievements are discussed in detail.The foothold of the reportage of the 1918 National Disaster is "human",and the perspective turns to the attention to the normal life of the nation,which is an important pioneering work for modern Chinese literature.The specific analysis of the nationality,marginality and orientation of the reportage style of the 918 National Disaster not only gives us a clearer understanding of the reportage style,but also naturally leads to the hidden line behind the national disaster.The combing of the text is also an important part of this part.Secondly,it mainly focuses on the specific text analysis under the theme of national calamity.Nationality-state is the horizon for us to study the literature of national calamity.Here,we study reportage as the text bearing.The following ideas are followed: based on the evolution of national consciousness,we discuss the memory of national calamity of the nation-state and the Chinese people in the field of national calamity from a diachronic perspective;from a synchronic perspective,we study the literature of national calamity.In this synchronic creative space,reportage has gradually formed a standardized writing feature with non-fiction,criticism and cross-stylistic as its core elements,as well as a narrative style with lofty and ordinary characters,Lyric classical language features and narrative combination.It comes into being in the collision between the conventional literary genre and the memory of a particular national calamity.Finally,the significance of the study of the reportage of the national calamity in 1918 is discussed from two aspects: the generation of individual historical events,the generation of collective memory,the traumatic memory of national calamity and the evolution of national emotional memory.The concluding part is the author's summary and Reflection on the reportage of the1918 National Disaster,hoping to attract more researchers' attention to the reportage of the 1918 National Disaster.