| Bassoon study Opus8 is written by Christian Julius Weissenborn(1837-1888),who is a bassoonist and bassoon educator in Germany.Bassoon study Opus8 is a international basic teaching material training.The study includes two volumes,the first volume is basic training,the second volume is more difficult advanced training.When students complete the training of the practice set,they can acquire relatively complete basic professional performance skills.In the author’s opinion,the value of this etude is much more than the simply training,Where a bassoon beginners in basic skills.The etude also contains a large number of German and Austrian folk music aesthetic materials.Therefore,from a certain perspective,the higher value of this etude is the cultivation of students’ basic aesthetic appreciation of German and Austrian music works.Germany and Austria are culturally homologous,but their music cultures are somewhat different due to different geographical locations and topographic features.The melody of German folk music is carried out according to strict harmonic function,and the melody adopts chord tone or takes chord tone as the basic conjunct.The mode of Germany folks music is almost natural tune,whose rhythm beat is in front,whose duration is longer.The rhythm pattern of Germany folks music is relatively simple,whose musical texture is Well-proportioned and logical.In terms of the whole structure of the music,the German folk music has a neat and antithetical sectional structure,while Austrian folk music is mainly reflected in the melody,and its unique music genre.First of all,although the triad is used as its melody support,but Austria in the melody more"yodel"melody characteristics,and the Austrian genre "lienderle" and "waltz" are also different from the traditional folk music from in Germany.The Bassoon study Opus8 contains a large number of the Germany and Austria music elements.In addition,some folk music elements of other European nationalities,such as Bohemian music style of Slav nationality and Russian music style,were added into individual training items.Therefore,the author will try to analyze the German and Austrian folk music elements in the etude textbook,and discuss the elementary teaching of bassoon from the perspective of cultivating the aesthetic ability of professional students,which include the role of aesthetic cultivation in bassoon elementary training,which on students’future performance career.Another question which author will discuss is that the localization of Western Musical Instruments. |
