On The Qi,Rhyme,and Artistic Conception In The Performance Of Guzheng

"Qi" is breathing,is the support of music,runs through the whole song."Rhyme" is the performance,which is jointly exhibited by the composer and the performer."Artistic conception " is the understanding and creation,which is the concentrated expression of the former two.Qi,rhyme and artistic conception are an important part of Chinese traditional music aesthetics,and zither is one of the national musical instruments with these strong traditional music aesthetics.With the development of zither playing skills in recent years,there are many forms of expression.The pursuit and reverence of Qi,rhyme and artistic conception in traditional music aesthetics have not been abandoned in modern works.On the contrary,more and more forms of expression have been adopted to reflect Qi,rhyme and artistic conception.This paper mainly discusses the grasp of Qi,rhyme and artistic conception in the performance process,and combines Wang Zhongshan's work "Ming Shan" to specifically discuss the application of Qi,rhyme and artistic conception in the zither playing process and the relationship between these categories.Finally,it extends to how to use these three categories to achieve the best performance and show different forms of performance.