The Research Of Qing Dynasty Taoyuan Poetry

Paradise in Tao Yuanming's poetry has been welcomed by literati of the past dynasties because of its external scenery and t its inner life.These poetry describe the Paradise and express the yearning for the Paradise.This paper chooses the Taoyuan poetry of Qing Dynasty as the research object.From the main image,subject matter,meaning and the new change of meaning,to explore the general situation of the Taoyuan poetry in Qing Dynasty and the development of Taoyuan significance in the Qing Dynasty.This paper can be divided into four parts,that is,introduction,the meaning of Taoyuan poetry before the Qing Dynasty,the study of Taoyuan poetry of Qing Dynasty and the conclusion.The introduction part mainly introduces the arrangement of Taoyuan Poetry and the research of the ancient Taoyuan poems.The first chapter discusses the origin of the prototype of the Paradise,that is,the story of Tao Yuanming's Paradise and the story of Liu Chen and Ruan Zhao.The second chapter makes a historical review of the previous Taoyuan poetry and discusses the changes of Taoyuan poetry.That is,from the real Paradise,immortal Paradise,questioning the authenticity of Paradise and the Secluded Paradise.The third chapter analyzes the main images of Taoyuan poetry in the Qing Dynasty.Starting from the four images of water,peach blossoms,fishermen and people in the Paradise,this paper explores the embodiment of these images in the Tao Yuan poems of the Qing Dynasty.The fourth chapter is the study of the Taoyuan poems in the four themes of excursion poetry,painting poems,imitation predecessors poems,and dating poems,and analyzes the general situation of Taoyuan poems in the context of the Qing Dynasty.The fifth chapter analyzes the meaning of Taoyuan in the Tao Yuan poetry of the Qing Dynasty,starting from the place where people hide their seclusion,the place of repairing cents,the place of excursion.The sixth chapter explores the new changes of the meaning of Taoyuan in the Qing Dynasty,that is,the poet took a more dialectical view of Taoyuan,revealed the social facts of Qing Dynasty and put forward the sensibility of the poetry.The conclusion part is a summary of the entire paper,combing out the writing ideas,trying to show the development of Taoyuan poetry in the Qing Dynasty.