Forget(?):Space Perception And Aesthetic Contemplation

As the skill and realm of Taoism,"Forget" characterizes the free spirit and the non-utility mentality.The "natural" attribute of natural space fits into this connotation of "forget".Natural space from the purely material sense of the regional space into the object of literary and artistic aesthetic during Wei-Jin period which is the time of literature consciousness,affecting the aesthetic psychology and personality of the creative subject at the same time.Landscape imagery and the aesthetic psychology of"forget the optimum"?rivers and lakes image and the spiritual accommodation?the special cultural connotation of "wander",showing that the natural space has become a carrier of literary to expression the spirit of "forget".Observing the "forget" from the perspective of space can be the reference context for the methodological study of"forget".Centred on "The Literary Mind and the Carving of Dragons",We can carry on our research from the way of aesthetic creation psychology and the mode of expression along with "sitting in forgetfulness" and "catching meaning while forgetting words" of Zhuang-Zi.In terms of aesthetic psychology,Liu Xie inherited Zhuang-zi 's thought of "sitting in forgetfulness" and then provided a specific method called "the key is void-quietness".Liu Xie proposed "along with the object " and"wander with the heart" to deal with the relationship between heart and matter.Stressed the interaction between heart and matter on the one hand,and revealed the progressive of this process."Pour out" and "take in" further highlighted the mutual influence of subject and object,especially the ability of object to make subject "take in"."Forget" has the meaning of abandonment,and negation which shared common points with the western phenomenology.The individual emotions can be controlled within the range which is most suitable for aesthetic activities by suspension.The thought "controlled and guided emotion" of Liu Xie has the same meaning with the"suspension".Liu Xie's "supernatural encounter" means "aesthetic drunk",it is the best state of creative psychology and belongs to a kind of unconscious state of"forget".It's production is not controlled by subjective sense but depends on the long-term mind-cultivating and art accomplishment of subject.Liu Xie always placed"emotion" in the "non-forget" in all creative psychology of "forget" so as to the literary grace cleverly forgotten under the case of non-forgotten of emotions,this is the aesthetic ideal of "the divinatory symbols of Bi Is white".In terms of the mode of expression,Liu Xie puts forward "multiple meaning out of the paper" to dispel the limitations of language,"response the minds beyond the words" becomes the way out of the dilemma of "the word fails to convey the meaning"."Tortuous inclusion of aftertaste" is the way of producing illocutionary meaning.Later,"the spirit out of taste","lingering charm" and "after-taste" turn into the pursuing Ideal aesthetic effects of ancient Chinese literature especially poetry.In addition,"forget" also contains the meaning of concise and implicit as a mode of expression."Express one's mind in short"and "implicate profound significance" are the aesthetic requirements of concise and implicit for written language.Since then "implicit" has became an important part in the field of ancient poetic.Liu Xiu believes that the personality of literary language is"ego-exist" due to his emphasis on the individuality of the creative subject.But,personalized language creation Should be based on the appropriate literary genre,that is to say "format and change by composer's emotion"."The Literary Mind and the Carving of Dragons" has conducted a comprehensive analysis on "forget" as the use of specific creative methods in literary practice,opened up the methodological path of"forget".