The Study Of Japanese Season Topic Films

There is a special kind of film in Japanese films,which fully shows the localization of Japanese films.They directly name to the "season",or the name of no season or seasonal images appear in the content,but to the natural seasonal or seasonal images as a symbol.I would like to name this kind of film entitled "the season topic films".This kind of film from the beginning of 1898 "red hunting",has developed series of season with Yasujiro Otsu as the representative of the season topic film,until 2015 2014,"small forest" "summer" and "winter" episode two release,enduring.The Japanese season topic films generally show the inheritance,innovation and innovation of the ancient culture of Japan and the east.They are influenced by traditional culture,mainly from Japanese traditional literature.Although the ancient poems of nature writing in China had a strong influence on Japanese classical poetry,but the Chinese natural writing in classical literature have not formed the "season topic" or "Kigo" as the core of the lyric and narrative tradition.In the traditional Japanese literature,from the early Waka and Haiku poetry have formed a natural season as the core of the "season" to the lyric literature,prose,story(novel),kabuki(Drama)extended narrative style.In modern Japanese literature,Kaii Higashiyama inherited the title season lyrical literary tradition,Kawabata Yasunari's "snow country" "ancient capital",the "Izu dancer",the season title narrative to acme,were later adapted into movies.Especially the writer Fujisawa Shuhei's series of historical novels in the new century is widely adapted into movies,such as "cicada" rain "Hana""cherry",the samurai love into the season in the literary images,lyrical and narrative fusion to film art,in the season topic film shows the Japanese traditional literature and art character of Chinese culture.It can be seen that the literature of Japanese literature has always maintained the tradition of lyric and narrative fusion,and has been absorbed by the film art,thus creating a series of traditional culture.The subject and content and thematic implication of the Japanese season topic films which in common that they are generally between seasonal and seasonal natural life to construct a relationship of mutual metaphor about life,the natural season symbolizes the life consciousness.Mainly reflected in three aspects:first,the art of aesthetic love.They use the natural seasonal flow or pure love eternal beauty,or the use of seasonal images such as "Sakura" "Snow" and other recollections of love,pure sadness or "die for love" theme,such as "Snow country" "The doll","Flower marks ""Snow "Spring snow" "Norway forest" etc.Generally,disillusionment express a beautiful love in the world in the sense of.Second is the aesthetic view of growth and death.They show optimism and positive attitude towards life,or the performance of the impermanence of life and tolerance optimistic attitude towards life,for life or death to accept and respect,such as "Hibiscus girl" "About in rainy season""Chrysanthemum Jiro summer" "Summer garden" "The ballad of narayama" etc.Third is the poetic pursuit of leisure life.They generally exhibit and escape from the reflection of modern urban civilization,or escape from the city to the countryside,or pursuit the life of "silent" and "poor" beyond the desire of civilization,the hustle and bustle of life,far away from the city and to enjoy a quiet and peaceful life,such as most of Yasujiro Otsu's the season topic films and "Happiness bread" "Small forest"ect.There are distinct national characteristics in the artistic creation of the Japanese the season topic films.The first is the combination of the whole symbol and the local symbol.The whole symbol is in season title as a whole symbol,the life story and life consciousness into the whole symbol structure,establishes the integrity between nature and life of the mutual metaphor,the meaning of life is open from nature,also implies that life is a symbol of affection;Local symbol is local content in the film,with the natural seasonal object-image signs indicative life stories of some aspects of connotation,in the natural imagery with each other between life events and opened their common life feelings and meanings.The second is to strengthen the aesthetic distance between the content of the film and the real life.They generally highlight the natural seasonal and images from the background of people's action in the field,presenting as video content between content and strengthen the natural season title life content of the dialogue function,but also enhance the aesthetic distance between the natural and realistic nature of the season,the nature of things in the film beyond the real nature from the aesthetic nature.Defamiliarization is also reflected in the nature of the film and the content of life and generally give a high degree of simple choice,in order to highlight the distance between them and the reality of the world,to strengthen the symbolic meaning of the film.By using the combination of long shot documentary narration and empty lens lyric,the drama conflict can be weakened in the slow rhythm,and the effect of the lyric and the symbolic meaning of the film can be enhanced.In a word,the Japanese season topic films have the cultural function of carrying forward the spirit of Japanese traditional culture,inheriting the unique view of"Nature and humanity",which is unique to the Oriental aesthetics.It is not only the continuation of the ecological harmony culture in the ancient oriental civilization,but also the critical reflection and constructive reconstruction of the modern civilization.