A Study On Singing Practice Of The Opera "jiang Jie" Singing "The People Of Five Continents Laughing Together"

The opera Jiang Jie is an important harvest of Chinese new opera creation represented by White hairy Girl.Once published,it has been warmly praised by the public,and the song of "Red Meizan" has spread all over the motherland.Jiang Jie's music creation highlights the national style in the melody,and makes more use of "cavity","procrastination",beautiful and beautiful,and is exciting and expressive in the rotation.The structure is mainly plate cavity,absorbing western aria.The elements of song creation show the rhythm of drama very well.On the whole,it embodies the nationality,drama and lyricism,and successfully shapes the musical image of Jiang Jie's characters.The "laughter of the people of the five continents",the core part of the play,is an aria before Jiang Jie's heroic service,which is widely sung in professional bodies and professional colleges and universities,and embodies the music style and music characteristics of Jiang Jie.In a complete and multifaceted way,it reflects the lofty spiritual realm and heroism of Sister Jiang.This paper analyzes and studies the singing section from the point of view of music form,discusses the control of the hierarchical sense of the singing section from the hierarchical level,solves the correct interpretation of the singing section from the angle of learning opera music,and improves the position of piano accompaniment.The integration of vocal music and piano is viewed by dispelling the thinking of primary and secondary division between piano accompaniment and singing.And draw the essence from the Chinese classical singing theory,with the concept of "positive circle","sound and emotion","emotion as the soul" and so on,to control the technical problems such as biting and spitting words,breath and so on.Better complete the vocal music interpretation of "the people of the five continents laugh together".