A Comparative Study On The Male Singing Of The Nanyin "Zhi Tao" Liang Yuan Wei Sui

The world-class intangible cultural heritage Nanyin has been handed down in the form of "oral transmission" until now.Its music content is divided into three categories: "zhi","pu","qu",with the largest number of "qu",presented in the form of singing.Singing is an indispensable and important part of Nanyin culture.As the soul of Nanyin culture,Nanyin singing has great research value in its unique name,bite,embellishment and so on.Nowadays,Nanyin singers are mostly female singers,but before the 1950 s,they played an important role in the long history of the inheritance and development of Nanyin.This study focuses on different areas of Jinjiang,Quanzhou,Xiamen and the Philippines.On the comparative study of the representative characters of Nanyin's "male singing" in different ages,the author takes the Nanyin “zhitao” Liang Yuan Wei Sui as the starting point,from the name,the spectrum,the embellishment,the setback,the phonological domain,and the teacher's inheritance.The social background and other aspects further elaborated the Nanyin "male singing" characteristics and the reasons for its gradual scarcity,in order to comprehensively and objectively present the Nanyin "male singing" inheritance status.At the same time,on the practical level,the typical "plummeting" and "embellishing" singing style of the male cavity played a guiding role in the singing of Nanyin,through the elaboration of personal experience.In order to provide theoretical and practical advice for learners to grasp the traditional singing style of Nanyin more accurately.