Development Course And Performance Art Of Xinjiang Bowed Stringed Instrument Under The Background Of "Silk Road" Culture Communication

At present,Xinjiang has Uyghur,Kazak,Mongol and many other minorities,each minority boasts a remarkable music culture.The large quantity and excellent quality of the music played by traditional folk instruments are pretty amazing! As of now,there are many researches on the folk songs spread among Uyghur,Kazak and Mongol nationality,with few researches on tracing the development of bowed stringed instrument of Uyghur,Kazak and Mongol nationality.This paper takes Xinjiang bowed stringed instrument,the Eijieke,Satar,Huxi taer,and Kazak bowed stringed instrument,Kobyz,as well as Mongol bowed stringed instrument,Yikele,Matouqin as research objects,by reference to material collected during field tours,and taking perspectives of folk music,musical morphology,organology,this paper makes a theoretical analysis on the development course and performance art of the bowed stringed instruments of these three nationalities,so as to enable people to have a deeper understanding of the correlations between the bowed stringed instruments of Han nationality and those of Uyghur,Kazak,Mongol under the background of “silk road” culture communication.