Operaaugust Osmanthus Open Everywhere Singing Performance Study

Since the creation of national opera in the 1950 s and 1960 s,it has become a hot topic in the Chinese music circle.However,the performance of national opera has not been as the main research content to carry out due excavation and exploration.The author thinks that the performance and singing of national opera are different in importance and constitute a mutually reinforcing relationship.As opera is a special form of drama with vocal singing as the main means of expression,singing undoubtedly occupies the main position in the performance of opera.But that doesn't mean that body movements and facial expressions are irrelevant or unnecessary.On the contrary,if the performance is handled properly,it can play a vivid role in revealing emotions and themes.Therefore,it is necessary to explore and analyze the relationship between national opera singing and performance in order to sort out the guiding principles and laws.Half a century later,hubei opera and dance theatre has continued its success with a new opera on the theme of revolutionary struggle,"osmanthus blossom everywhere".With previous Chinese opera drama "+ sing" performance mode is different,the August osmanthus flowers blossom in the music creation in folk music elements,introduced a number of the east into a lot of drama in terms of opera performance figure and modal,so the nationalization of opera creation,singing and performance aspects have made the new exploration and pioneering.In view of this,this paper takes the opera "osmanthus fragrans blossoming everywhere" as an example and tries to explore the guiding principles and laws in the singing and performance of national opera with the analysis of the singing and performance of typical aria.The research of this subject is divided into the following parts.The first part is the introduction,which introduces the significance of the subject selection,research background,relevant research results and status quo in the academic world,research methods and key and difficult points and other necessary information.In the second part,the author will briefly analyze and introduce the creation process,plot and music features of "osmanthus fragrans blossoming everywhere in August",and carry out music artisticphenomenon analysis for the three songs of "the elder brother does not blossom","the wild goose calls in the middle of the month" and "where are you the second brother".The third part is a detailed analysis of the singing and performance of the above three songs.The fourth part is the conclusion,which will compare the similarities and differences of the three cantata in singing and performance,and conclude the guiding principles and laws in singing and performance of national opera,and clarify the core argument of this paper.