Musical Analysis And Reflection Of Exemplum In Memoriam Kwangju By Isang Yun

Through the analysis of the musical form frame of the works of Eternal Guangzhou,this paper summarizes and studies the composing techniques used in the works.Yin Yisan,born in Korea,is known as one of the most famous Asian composers in the 20 th century.In the early days,he went to Japan to study music,then to France to study,and then to West Germany.In 1967,he was forced to go to Korea for KCIA espionage,sentenced to life imprisonment by the court,and finally released under the pressure of international public opinion,and returned to Germany to continue his music career.Yin Yisan's works are full of his love for his motherland and his expectation of peace.In 1981,he created Eternal Guangzhou to commemorate the great democratization movement,mourn the victims,and inspire the Korean people to fight for freedom."Forever Guangzhou" is a symphony poem with a single movement.It tells the scene of the movement in three movements: the first part is very intense music,the intensity is always between f,f f and f f f.The people's incarnation string group is fighting fiercely with the evil forces represented by the brass group.The first part ends with the brass group defeating the string group and the people's strength gradually in the end.The confrontation ended when the evil forces defeated it.The second part of the music is very quiet,and the intensity is also reduced to between PP and ppp.The speed is also changed into slow slate.The string group murmurs the sorrow and fear of the people.The whole group is rendering and creating an atmosphere of pain and depression.Later,it gradually turns from sadness to grief and anger.The speed is accelerated,the intensity is strengthened,the melody line continues to rise,and gradually reaches a new high point.This paves the way for the third part.Pad.The third part is the end paragraph with reproducibility.Thespeed is accelerating.The mood of the people begins to change from gloom to brightness.A new group of trumpets and percussion,as the main instruments,has emerged,representing a new future and a new hope that the people will not give up their struggle and dreams.The composer mainly uses two composing techniques in this work.Firstly,the composer designs and uses the "core tone" to construct the aria.In the first part,G is used as the core tone and the first six bars emphasize the core tone G at different pitches.Later,the horizontal melody line and the vertical pitch structure are developed around G.The core tone of this part represents the people's angry mood.In the second part,A tone is used as the core tone.The core tone of this part does not appear directly like the core tone of the first part,but appears obscurely in the bass instrument first,and then becomes the most important core tone of this part after development.The core tone of this part represents the sad mood of the people.The third part of the work is very ambiguous.The core tone is free between G and A,and both of them appear frequently in the background.Another composing technique in the work is "sound block"-sound body.The forms of "block" used by composers are mainly three types of "rhythmic" block,"linear" block and "vertical harmony" block.The ways of developing these forms of block are "contraposition","embedded" and "layer by layer superposition".The composer makes full use of the technique of "block sound" to carry out the whole work.Development.