Study On Ecological Aesthetic In Landscape Painting Of The Six Dynasties

As a developing subject,ecological aesthetics is coming into being in the context of increasingly serious global ecological crisis,combined with traditional aesthetics.From the theoretical perspective,ecological aesthetics not only studies aesthetic issues from the perspective of ecology,but also focuses on ecological issues from the perspective of aesthetics.It returns to the origin of life and the foundation of survival,reconstructs the mode of getting along with nature,advocates the concept of "affinity" between man and nature,emphasizes on nature,close to nature,respects nature,preserves nature in order to adapt to the development of nature.Therefore,from the perspective of ecological aesthetics,the study of ecological aesthetics in the Six Dynasties landscape painting is not only a major breakthrough in aesthetic theory,but also has important guiding significance to the construction of our current ecological civilization.This paper mainly explores the ecological thoughts of landscape painting and Six Dynasties landscape painting.The first chapter mainly expounds the overall interpretation of the Six Dynasties landscape painting in the view of ecological aesthetics.From the basic meaning of ecological aesthetics,it analyzed the theoretical aesthetics of ecology and nature,and finally analyze the possibility of the conversation between the Six Dynasties landscape painting and ecological aesthetics to lay the foundation for the following research.From the aesthetic perspective of the Six Dynasties landscape painting,the second chapter carried out a new interpretation of the ecological aesthetics of Gu Kaizhi's “Lifelike”,Zong Bing's “making a vicarious sightseeing tour by viewing his landscape painting”,Wang Wei's “Ming God” and Xie He's “rhythm”,which fully illustrated that the Six Dynasties landscape painting is the aesthetic thought of the ancients caring ecological consciousness.It reflected the ideal existential state that the ancients yearn for in harmony with man,society and nature.The third chapter mainly illustrated the ecological view of the Six Dynasties landscape painting,mainly through the study of the ecological appreciation of Gu Kaizhi's paintings.Because the landscape paintings from six dynasties were very scarce,we just could study the paintings of those eras by the Gu Kaizhi's paintings as the representative and we could see the unique cultural style and present the natural landscape,which showed how the ancients' pursuit of poetic habitation.The fourth chapter mainly discussed the ecological value of the Six Dynasties landscape painting,and study the ecological aesthetic thoughts of Six Dynasties landscape painting,which helped to establish ecological spirit of people stranding on homeland,and to rethink the relationship between human and nature.It has an important significance to our current development of ecological civilization construction.