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The Research Of Chin'gyung Landscape Painting Aesthetics In The Late Jos Eon Dynasty Period

Posted on:2016-04-02Degree:MasterType:Thesis
Country:ChinaCandidate:Y S JinFull Text:PDF
GTID:2335330470968401Subject:Foreign philosophy
Abstract/Summary:PDF Full Text Request
Chin'gyong Landscape Painting painted Korean nature in the late Joseon Dynasty Period is the most remarkable painting genre and it is regarded as the best art which has expressed Korean feeling with a genre painting.South Korea's Korean Chin'gyong landscape painting and landscape nature consciousness are closely linked,not from the artistic perspective to study the natural beauty of the landscape painting,it is difficult to find the unique beauty of landscape painting.North Korea(South Korea)natural landscape painting as the object of North Korea late landscape painting,can be said to be the product of the natural landscape of the sublimation of art,the most out of the framework of Chinese landscape painting,in the form of expression,aesthetic consciousness and painting techniques have carried out corresponding adjustment and deformation,so that the landscape painting in the picture is more in line with North Korea(South Korea)natural scenery,finally through the real scene all the famous landscape painters in the establishment and development of the unique style of Korea(South Korea).The background and influence factors to the birth of this article discusses the late Korean landscape painting,expounds the formation and development of the late North Korean landscape painting,meaning,focuses on the aesthetic features of landscape painting through the analysis of the landscape painting painters style and painting techniques,effect and significance the final development of the landscape painting of the offspring are described.
Keywords/Search Tags:Chin'gyong, Landscape Painting, zhengshan, aesthetics characteristic realness
PDF Full Text Request
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