A Study Of The Interaction Between Chinese Modern Film Newspapers And Stars

In recent years,the Chinese film industry has continued to be hot,and the quality and quantity of film output have improved significantly.In 2018,the total box office of Chinese film rushed to more than 60 billion yuan for the first time,creating the highest record in the history of Chinese film.Movies such as "The Wandering Earth","Operation Red Sea","Dying to Survive" were released,both the box office and word of mouth were recognized.But at the same time,there are still some problems in Chinese movies industry,and the movie stars is particularly worthy of attention.Movie star high income problem,Movie star tax evasion problem,Movie star divorce dispute and Movie star derailed farce,all of these have caused various discussions.The interaction between film media and stars is important to solve these problems.How does the media communicate with stars and fans?Is the media over-concerned about the star scandal?How does the media create a benign environment for the development of the film industry?These issues are critical.In order to solve the above problems,this study starts from the source of Chinese film development and pays attention to the interaction between Chinese modern film press and stars.The study hopes to gains experience and lessons from history,and draws reference to the problems existing in the current Chinese film industry.The research is mainly divided into three parts.The first part is content analysis.It divides the interaction cases of Chinese modern film press and stars into three kinds,including benign,malignant and neutral content.Analyze the gains and losses in the interaction process from specific cases.The second part is data analysis.Under the accumulation of a large number of interactive cases,it is quantitatively displayed through graphs,tables,etc.,and has aclearer understanding of the interactive characteristics.In the third part,the author puts forward some suggestions for the interaction between the film media and the stars in the context of the current Chinese film environment.