On The Singing Practice Of The Opera Magic Flute Aria The Pain Of Revenge

The opera Magic Flute is the last opera work in Mozart’s life,and it is also the one with the most national spirit and folk flavor,which has far-reaching influence on the establishment and development of modern German national opera."The Pain of Revenge" is not only an extremely difficult coloratura aria in singing technology,but also the touchstone of coloratura soprano recognized by the world,and the role of "the queen of the night" is also a classic existence in the portrayal of negative characters.Based on the understanding of the author and the mastery of the creation background of the opera Magic Flute,this paper will deeply explore the characteristics of the characters after the night and the singing skills of aria The Pain of Revenge.Its purpose is to provide future generations with the idea that coloratura creation techniques can shape the villain’s image,and to deeply analyze and summarize the personal singing skills and practical understanding based on their own practice.In order to master the detailed argumentation data,this paper uses the methods of literature combing,comparative research and induction to discuss in detail the characters’ image characteristics and stage practice process after the night.Finally,through analysis and own stage practice,the author not only provides some reference and help for more singers who perform this aria,but also provides some new ideas for the creation of coloratura works.