On The Narrative Mode Of "shuangshenghua" In The Movie

With the appearance of the film "The Double Life of Veronica",the "Shuangshenghua" narrative mode officially appeared on the stage of the film narrative type.Along with the film was introduced to China,Chinese movies also appeared in a series of "Shuangshenghua" narrative modes such as "Suzhou River","Red Rose and White Rose","Anna and Anna" and "Green Tea".These films are usually two female characters with the same appearance as the focus of the narrative.The two characters are played by the same actor,thus expressing the exploration of female personality and soul.However,in recent years,there have been new variants in the "double flower" narrative mode.Many films in the "July and Ansheng" example have begun to bring the "sister friendship" model into the "double flower" narrative,so in the movie The atmosphere of the Pavilion is a major feature.But this type of film still wants to explore the different aspects of women’s performance under the same personality.Since the author’s graduation work "Double Life" uses the latter’s "double flower" narrative mode,the choice of "double flower" is the theme of this paper.The thesis is divided into five parts.The first part introduces the reasons for the topic selection and the research status.The second part explores the existence form and variant form of the "double flower" narrative mode since its birth.The third part uses Lacan’s "mirror theory"."The study of the theoretical roots of the "double flower" narrative mode;the fourth part is to use Freud’s psychoanalysis to analyze the character of the "double flower" narrative mode;the fifth part is about the "double flower" narrative.The misunderstanding of cruel youth and the "death of a girl" must exist.This part is also the innovation of this paper.In the process of this article,I have always closely followed the author’s graduation work "Double Life".This paper was completed by means of data analysis,literature analysis,comparative analysis and a combination of theory and practice.The purpose is to explore the different aspects of female personality under the narrative mode of "double flower",and also consider whether the inherent cruel youth in the existing "double flower" narrative mode is out of touch with reality and whether the death of a girl must exist.At the same time,the narrative mode of "double flower" is used to explain the author’s graduation work.