Study On The Xia’s Image In The Late Han,Wei And Jin Dynasties

At the end of the Han dynasty to the Wei and Jin dynasties,the world was exhausted,and a large number of heroes arose.In addition to the old phenomenon of "admiring Xia in the young age,but tending to learn as adult",the children of the gentry carried out a "value orientation re-selection",and began to study martial arts spontaneously or be forced,to worship Xia,to join the army,and to get into the classes of Xia.The existence and development of Xia’s groups present a complex transitional form.Through emphatically analyze the literature on the history of the chivalrous man during this period history data,draw the outline of objectively real image and phenomenon of Xia,and hope that through this kind of activities trajectory painting presents "Xia" this group in the dynasties of the Late Han to the Wei and Jin time,revealing the Xia’s groups and differentiation and the trend of deterioration’s motivation.Based on the exploration of the Xia’s images in literary works,the psychological sustenance of the literati in their pursuit of Xia is explored.Folk Xia became active again;the giant is the main component of the Xia group in this period;All sorts of Xia organizations with different structures infiltrate all classes.At this time,the traditional Xia activities such as martial arts practice,chivalry and guest gathering had a strong utilitarian color.They extended their chivalry with their own financial resources and forces,and the chivalry group developed further carried out actions for accumulating wealth and armaments as a result.The influx of this kind of people further complicated the structure and composition of the Xia group,and sharpened the internal contradictions.On the one hand,their emergence squeezes the activity space of the lower-level swordsmen,and the mixed qualities of the giant Xia also make "Xia" more stigmatized among the people to a certain extent.But on the other hand,the acceptance and inscriptions of the lower-level Xia by giant Xia also provide a good way for the bottom rangers to shelter and rise.In the Xia group,"chivalrous community" as the main form of,the chivalrous men have their own "private" and choose to conform the leader to their values,attached to the status and power,the distribution of information under the name of the leader,a glory,a loss.If the scale of the group develops and the goal changes,the relationship between them and the leader may also bear the color of emperor and minister,which has the binding significance of morality and ethics.Dong Zhuo,Yuan Shao,Cao Cao,they three people well formed the chivalrous community on the scale,has the significant influence,and their chivalrous communities’ formation,the operation,the development road have the trace to follow.In The Three Kingdoms period,there were also typical phenomena of Xia groups participating in the formation and development of the three regimes of Wei,Shu and Wu.In the overall social atmosphere of worshiping "Yi",Xia began to strive for the identity of "Xia".By the gradual development of the whole social atmosphere,"Zhongyi" as the core of the concept of Xia formed up.Xia’s vision began to be limited by the righteousness of the king and minister,but the spirit of the Xia pattern was also opened,the so-called future "great man of Xia,for the country and the people" spirit of weak flame is lit at this time.There are many reflections of “Xia Hot”in the field of literature.There are three kinds of Xia images in literary works of this period,namely,the chivalrous heroes who serve the country and save the people,the heroes who are heroic and tragic,the romantic celebrities and the nobles who praise luxury and beauty.At the end of the Han Dynasty,Wei and Jin Dynasties,tradition of Xia continued,leaving a unique aesthetic reference for the creation of poetry and the characterization of literary works.In these hundreds of years,influenced by social reality and the orientation of the times,the aesthetics of Xia image experienced a change from rigid to soft,and the concept of Xia spirit changed from the "Yiqi" of pursuing equality and freedom to the "Zhongyi" transformed by the literati culture and even the flaunting distortion of the aristocratic luxurious life.The Xia group and culture also experienced change and escape under the trend that the upper-class social atmosphere became more and more tender,which enriched the connotation and extension of the self and also blurred the spiritual temperament of the Xia,which foreshadowing the return of the Xia to the bottom of the society due to the abandonment of the upper-class culture and self-differentiation later.In modern society,the existence of Xia as an iconic group of people is almost completely gone.To analyze the positive factors in the Xia culture and transform it into a new national quality more suitable for the modernization construction through the transformation in the new era,and even to improve the national self-confidence,it is necessary to develop and discard the objectivity and innovation of the traditional culture itself.