The Narrative Personality Of Dung Kai-cheung's Works

Dung Kai-Cheung is a post-60 writer in Hong Kong.Since the publication of the singer Sicilia,he has won many literary awards for his long work Works and Creations,and he has become one of the representative writers of contemporary Hong Kong literature.The thesis uses Dung Kai-Cheung's narrative personality as the starting point for research.The first section of the introduction introduces Dung Kai-Cheung's personal life and creative process,and classifies his works according to the series,expounding the content and theme of the works.The second section briefly introduces the development of Hong Kong literature and focuses on the relationship between Dung Kai-Cheung and the history of Hong Kong literature.The third section introduces the research status and problems of Dung Kai-Cheung,and conducts a literature review based on the classification of Hong Kong and Taiwan journal articles,mainland journal articles,and dissertations.The first chapter studies the polyphonic and dialogue narrative styles in Dung Kai-Cheung's works,analyzes his works along the creative trajectory,and shows the creation and sketching of polyphonic and dialogue narratives.The thesis also studies the polyphonic narrative in his prose and the cross-literal phenomenon of fusion with the novel.The polyphonic and interactive narratives have become an important reason for his prosperous development.The second chapter cuts into two themes:narrative experiment and object writing.The narrative experiment section analyzes the narrative features of his works.The narrative experiment section takes the work P.E Period as an example,and involves narrative innovations such as narrative perspective,narrator,narrative structure,and narrative style.The Object Writing section explains the fetish awareness and unique"materialization" phenomenon of urban people in Hong Kong by studying the meaning of consumer goods,animals and plants,and artistic objects(music,film)in their works.The work of Dung Kai-Cheung is intended to reflect the urban consumption culture of Hong Kong and has a forward-looking and warning significance for the current Hong Kong society.The third chapter discusses the intertextuality of Dung Kai-Cheung's works,expounds the intertextuality between Dung Kai-Cheung's own works,and the intertextuality between the works and the many texts of ancient literature,physics and history.The textual intercommunication makes his works merge into a broad literary world,showing his speculation and exploration of many knowledge systems and many works.Dung Kai-Cheung 's narrative personality is a literary phenomenon worthy of further study.It is possible to summarize Dung Kai-Cheung 's literary creation with all-encompassing.He stated that the goal of innovation is to create a diverse and diverse literary world to reflect and portray contemporary Hong Kong society.At the same time,the reader can feel the author's observation and response to the world,and achieve the lofty vision of writing in the world and writing for the world.