A Narrative Study Of Alexievich's Non-Fiction Works From The Perspective Of Polyphony Theory

In 2015,Belarusian writer Alexeyevich won the Nobel Prize in Literature."Non-fiction writing" has once again become a hot topic in the world's literary world,and the feature of "polyphony" has become Alexeijevic's works.The core manifestation of narrative."Polyphony" is Bakhtin's condensed essence of the novel's narrative in Dostoyevsky's Poetics.Alexeijevic gave the work in the form of "polyphony" The more authentic presentation of the "authenticity" in the story also gives the "polyphonic theory" a new theoretical feature in non-fictional works.This article focuses on researching its narrative strategy based on polyphonic features in Alexeijevic's works.The first chapter introduces the research background,research significance,literature review,research methods,innovation points and deficiencies of this article.The second chapter,starting from Bakhtin's "Question of Dostoevsky Poetics",explains its theoretical connotation,theoretical characteristics and theoretical boundaries.The third chapter uses the relatively influential "Chennobe's Prayer" in Alexeijevic's "Votoban" series as the main research model,referring to the dialogue relationship in polyphony theory,and more The characteristics of voice expression and the incompleteness of the work explore the traditional inheritance of polyphonic theory in non-fictional works by Alexeijevic;meanwhile,analyze the relationship between the subject and the object of the creator and the protagonist.Jevich's innovative display in the theoretical boundary of polyphony.The fourth chapter is from the revelation of historical events in Alekseyevich's works,the restoration of Bakhtin's polyphony theory,the dialectical relationship between "non-fiction" and "anti-fiction",and the inspiration to non-fiction writing Aiming at the in-depth discussion of the realistic significance of the "Utopia Series" works.