The Application And Representation Of The Shape Elements Of Zhuang's Clothing In The Creation Of Ink Figure Painting

Guangxi,which enjoys the reputation of “Baiyue Land”,is the living place for many ethnic minority communities.The ethnic minorities living in Guangxi,where people and nature harmony,are concentrated here.These traditional lifestyles reflect the cultural and spiritual connotations of ethnic minorities.Among these traditional peoples,Zhuang is an ancient nation with a long history of society.Zhuang national costumes are an important part of its history and culture and have original specialities.The costumes of the Zhuang nationality are the most vivid display of the national style.It restores the original historical features of the primitive tribes and contains rich national cultural connotations,which deserves our study.Bu Zhuang,who lives in the Napo area of Guangxi,has reached an obsessive level with the admiration of black aesthetics for black.This coincides with the Shangmo of Chinese painting,while the traditional figure painting pays attention to the "five colors".The black visual effect has been sublimated,in line with the aesthetic needs of Chinese painting.Through the unique national culture and costume characteristics of the black clothing,it attracted a large number of painters to create paintings with the theme of black clothes and strong,and created many excellent works during this period.These works show the unique characteristics of national costumes in black and strong,express the folk style of black and strong,and provide inspiration and basis for the author to create Zhuang nationality paintings.The whole article is divided into three chapters to analyze the characters of Zhuang nationality.The article focuses on the expression of the shape and color of Zhuang costumes in the creation of ink figure painting.The first chapter of the article is about the Zhuang national costumes and the current Zhuang nationality theme paintings.It details the characteristics of the black-shirted costumes in the Napo area and interprets the color meaning of the Zhuang black clothes.Combining the current development status of the current Zhuang nationality paintings,four excellent painters and works are given,which provide a reference for the ink-colored figure paintings of Zhuang nationality and the color elements of the costumes.The second part of the article gives an example of the paintings of the ink paintings of Zhuang nationality.It combines the existing paintings to analyze and summarize,and draws on the basis of drawing,providing theoretical and practical direction for graduation creation.The third chapter is also the last part of the thesis,starting from the author's graduation creation,focusing on the subjective performance of the Zhuang nationality costumes in the graduation creation,and striving to construct a painting language of its own in the combination of theory and practice.The Zhuang theme has made a small force.