Creation And Artistic Features Of An Qi’s Zhangzhou Long Poems

As the chief initiator of the concept of"intermediate generation"poetry,An Qi has an indelible position in the history of new poetry.The poems in her early writing-time are based on her life experience.Under the setting of a large number of images and symbolism,she uses pioneering artistic techniques,various words,and extensive literary styles in her poems.With such unique skills and philosophical theme,her poems break shackles of traditional poetry and realistic logic,which brings a new atmosphere to the current poetry.At present,there are quite a lot of studies on An Qi,but most of them are stuck in the overview or representation on her poems.The majority of the studies hold the opinion that it is enough to cover all the features of An Qi’s poems with four lebels:the unpredictable long poems,clear and transparent short poems,the feminist willing to "live like Duras",the promoter of the"intermediate generation".However the shortages of these labels are that there is little consideration about how An Qi’s poems are composed and that few people are willing to research how her poems will be like.This thesis intends to take her early representative long poem Lun Hui Bei as an example to deeply analyze the composition of long poems written in Zhangzhou as well as the overall features of these poems in the artistic view,so as to understand their obscure expressions and to glimpse the characteristics of the Babel-style in her long poems.The main contents are as follows:In the introduction part the thesis introduces An Qi and the styles of her early poetry,starting with three dimensions of "the study based on poetry itself","the study of female poetry creation"and"the study of An Qi in intermediate generation".This part summarizes current studies on An Qi’s composition in a detailed way and finds it seems that there are some subtle gaps between the feminist self-evaluation and the others’ comments on the poet An Qi.The former chapter mainly discusses the influencing factors of An Qi’s long poems from the field of poetry.Considering the objective environment and subjective acceptance,this part analyzes sources origining from the Chinese and western culture as well as the essential influencing factors affecting the style of An Qi’s poems during her composition.Inheriting to the history of the modernism,misty poetry and the third generation of poetry,under the enlightenment and the intensive training from the new death poetry and Daohui,ignited by the spirit of Haizi’s poetry,getting the teaching method of Pound’s "Everything can be put into poetry",An Qi finally completes her unique poetic art construction in the inextricable poetry tradition.In addition reflecting on An Qi’s other poems,the latter chapter mainly takes Lun Hui Bei as an example to analyze the unique artistic characteristics of An Qi’s long poems.After the intertextual image condensation,her long poems are based on the documentary basic narrative with plenty of allusions.An Qi’s poems show her rebellion against the life by the satirical disclosure through a sense of absurdity.At the end of this chapter,it starts with three kinds of "reincarnation" concept down the ages:"retribution with samsara","the theory of the samsara in Upanishad"and "nihilistic samsara",echoing the essence of the long poem Lun Hui Bei,which suggests the subsequent development and the spiritual orientation of An Qi’s poetry.The conclusion part summarizes the crucial role of An Qi’s Zhangzhou long poems in her poetry career,and further presents the new way in her poetry after her Zhangzhou long poems.Her paintings also have the style of her early poems,which depicts a brand new world.